A Quote by Jon Tenney

I experience a high on stage that I get nowhere else. I feel its like going to the gym so I won't lose my skills. — © Jon Tenney
I experience a high on stage that I get nowhere else. I feel its like going to the gym so I won't lose my skills.
Going to the gym was never about 'working out' like it is for most people. To me, It was a matter of life or death. It was either me or the weights-and I was going to win. I've always had that competitive streak, whether it was in the gym, on the stage, or In anything else I did.
I can feel how an audience is reacting when I'm on a stage, but when you are on stage, your perception is distorted. That's something you just have to know. It's like pilots that fly at high Gs and they lose, sometimes, consciousness and hand/eye coordination and they just have to know that that's going to happen. They have to be trained to not try to do too much while they are doing that. So when you are on stage, you have to be aware that you are wrong about how it feels a lot of times.
I really can't tell you the feeling I feel, like, being on stage: it's such a high; it's like running a marathon. You just can't get that feeling anywhere else.
Over the course of a day, you get to get a feel for where you're playing, so when you get out on stage, you already feel like you've had a bit of a bonding experience with them.
I feel most sexy when everything comes together! I like to maintain myself by going to the gym, I love the gym. I also feel most confident when I feel most beautiful inside - it shows on the outside! If I don't feel like putting on makeup to leave the house, I just add a slick of lipstick to make myself feel sexy
Anthropological fieldwork is so much like writing a novel. Granted, you don't have the physical disruption and disorientation, but writing a novel is like entering a new culture. You don't know what the hell is going on. And every day you feel like you have nothing, you're going nowhere. Or you feel that first it's going somewhere, but then you get into that horrible middle part.
I like watching anime or music videos and stuff like that, just to get my mind somewhere else, to make it feel like I'm not in the arena, not in the gym, so when I step on the court, I'm locked in.
You can either go to the gym because you want to lose weight, or you can go to the gym because you like how it makes you feel when you're running.
As an MC, I come from a background where the onstage experience is freestyle-based: you never know who's going to join you on stage, or what you're gonna do, or how long you can stay on. You kind of lose that, once you get on to recording albums and going on tour. Doing Africa Express has brought me back to that excitement - for the unexpected.
I really feel it when I can't get to the gym for a few weeks. I like to run on a treadmill in the gym so I can keep track of what I'm doing.
I don't feel like I'm in competitive with anybody. If I'm worried about beating somebody else, I'm not going to be the best version of me. It shouldn't be a competition because somebody else winning is not going to make me lose.
The adrenaline is like nothing else. You might be tired or whatever else, but when you get on that stage and see people reacting there's nothing like it. It's a bit god-like - that feeling that nothing can feel better.
I started by doing a little funny story, and then I started going to open mics. I realized I had a lot of work to do - you have to get over the stage fright and get your stage presence up. It took me some time, but I finally feel that I'm at a point where I feel comfortable on stage and giving my point of view.
I still get stage fright every time. I also feel very, very sleepy about a minute before we go on. Like I feel like I'm going to fall asleep. I can't explain it. It's sort of like, "Where's the energy going to come from to play this show?" Then all of a sudden you step up and there it is, it's like it's waiting for you.
That's the thing about stage: It's something you can't find anywhere else. It's a two-and-a-half, three-hour experience, and it's a real relationship. You're sending out energy from the stage, but the audience is giving you back so much also, so that's also lifting you and pushing you forward as you're performing and giving you so much energy. You can't find it anywhere else, and that's why people get addicted to being on stage, and when they're not on stage are kind of looking for that and constantly searching for it.
Lyoto is never going to lose his skills. He might lose his timing, speed, cardio, but he'll never lose his skills.
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