A Quote by Jon Turteltaub

It's so damn hard to write a great historical mystery based on fact. It's not for lack of trying. — © Jon Turteltaub
It's so damn hard to write a great historical mystery based on fact. It's not for lack of trying.
I could write historical fiction, or science fiction, or a mystery but since I find it fascinating to research the clues of some little know period and develop a story based on that, I will probably continue to do it.
I've been typed as historical fiction, historical women's fiction, historical mystery, historical chick lit, historical romance - all for the same book.
As for whether genre considerations influence what I write, they don't at all, but I might sell more books if they did. The Night Journal is a hodge-podge of historical fiction, western, mystery, and contemporary domestic drama. It doesn't settle into a specific market, reviewers have a hard time describing it, and sometimes it gets classified weirdly in bookstores. But from a writer's standpoint, I like that it's hard to categorize.
Historical novels are about costumery. I think that's the magic and mystery of fiction. I don't want to write historical fiction but I do want the story to have the feel of history. There's a difference.
I write novels, mostly historical ones, and I try hard to keep them accurate as to historical facts, milieu and flavor.
My goal isn't so much genre, or fact-based or not fact-based. I just want to work on projects that I think could be great.
In trying to make a broader historical point about the range of atrocities the Germans committed against many people, I made a clumsy association about the Holocaust, for which I am sorry and I regret. Jews obviously do not control media or any other industry. The fact that the Holocaust is still a very important, vivid and current matter today is, in fact, a great credit to the very hard work of a broad coalition of people committed to the remembrance of this atrocity - and it was an atrocity.
Paul's lack of concern with the historical Jesus is not due, as some have argued, to his emphasis on Christological rather than historical concerns. It is due to the simple fact that Paul had no idea who the living Jesus was, nor did he care.
Everything in 'The Tudors' is initially based on my historical research, and the fact is that the most unlikely scenes were the ones which were probably most based on reality. I prefer to be as real as possible, and there is so much of that story that you just can't make up.
The thing about being a mystery writer, what marks a mystery writer out from a chick lit author or historical fiction writer, is that you always find a mystery in every situation.
It usually takes me about three years to research and write one of my historical sagas; this is one reason why I take medieval mystery breaks, for they can be completed in only a year.
This general tendency to eliminate, by means of unverifiable speculations, the limits of the categories nature presents to us is the inheritance of biology from The Origin of Species. To establish the continuity required by theory, historical arguments are invoked, even though historical evidence is lacking. Thus are engendered those fragile towers of hypothesis based on hypothesis, where fact and fiction intermingle in an inextricable confusion.
Character is too deep to catch in a single storyline. What really moves us - what makes the great stories, and there aren't so many of them - is the inevitability of character. The destiny. All we see is the arc. We'll never penetrate the secrets of the living, let alone the dead. I've spent my whole life trying to understand people, and all I've learned is that the deeper we look, the greater the mystery. At the core, each person is unknowable. Maybe that's the soul? I have to respect that. The mystery, in fact, is what I've loved the most, in people and in stories as well.
One of the things that did intrigue me about when I read the pilot - because I had not read the books before doing the show - was the mystery aspect of it. I didn't feel that it was just a crime-based story. It really does have that mystery element, and it felt like a throwback to other shows in the past that had a bit more of that. There was something iconic about it. The fact that it's set in Boston gave it a feeling that was different to me. So, I am definitely more of a fan of mysteries than I am of a circular crime-based genre.
I think to the degree writers are serious, there is a greater tendency for them to write to themselves, because they're trying to compose their own thoughts. They are trying to find out what is in their minds, which is the great mystery. Finding out who you are, what is in your head, and what kind of companion you are to yourself in the course of life. I do think people have very profound lives of which they say virtually nothing.
...You have to pass an exam, and the jobs that you get are either to shine shoes, or to herd cows, or to tend pigs. Thank God, I don't want any of that! Damn it! And besides that they smack you for a reward; they call you an animal and it's not true, a little kid, etc.. Oh! Damn Damn Damn Damn Damn!
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