A Quote by Jonah Hill
Comedies are doing well because I think people want to laugh and not think about everything for a little bit.
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You can tell when people think they're a little bit special, and it's quite fun to laugh at them, and I think it's good to laugh at them, because then you can deflate their egos a bit.
But I think writing should be a bit of a struggle. We're not writing things that are going to change the world in big ways. We're writing things that might make people think about people a little bit, but we're not that important. I think a lot of writers think we are incredibly important. I don't feel like that about my fiction. I feel like it's quite a selfish thing at heart. I want to tell a story. I want someone to listen to me. And I love that, but I don't think I deserve the moon on a stick because I do that.
I definitely want people to laugh because I don't think there's a better feeling - I think it's just so fabulous to laugh. I don't mind if people think, either. I think the brain is a very sexy organ.
I get a bit nervous because I just want the show to go well. I think you always have to be a little bit nervous, or else you're a little checked-out, and that's maybe the time when you're not doing your best stuff, because you're kind of just checked-out and falling back on stuff.
I think a lot of things that people think are complimentary are a little bit condescending, but then we just have to keep doing what we're doing, and being in the band is the important bit.
I'm not going to make a judgment on plastic surgery because I don't have to yet. I mean, I'd like to think I'll feel great about myself and age gracefully, but then I think, Well, what if I do want a little bit of something? I'm open to being open.
I'm never going to say, 'Well, I'm never going to do comedy again.' I love comedies, and it's what people know me for, so I love doing it... I don't really think about it in terms of 'Well, I should do this because it's comedy or drama.'
Because the cool thing about media and the online world nowadays is that anyone can do it. Whereas I think through traditional media, if you have something that you want to create, you have to know the right people and get a little bit lucky as well.
There are some quite funny things about getting famous and stuff, but I think there comes a point where you have to think to yourself, "Well, am I doing this because I want to go to a party and meet Britney Spears? Or am I doing it because I want to create something that excites me?"
I like to make people laugh. That's for sure. And I really like to humiliate myself and go very far in derision and stuff. But no, I like everything. I started a little bit of doing drama, too. I like that, too. I guess I just want to touch everything.
One of the things we find when we talk to people that attend these congregations, they all have social cost to it. People want to know why they're doing that. Sometimes they're questions about selling out on their race or "Are we not good enough that you have to go to this kind of congregation and not ours?" So there are costs to it, and I think they're a little bit higher in the South because of its history.
We have a curious relationship with 'funny' in the U.K. We love to laugh, but we also think that making people laugh is just a little bit second-tier, especially in a literary context.
I think I am a smart aleck because I grew up close enough to Boston, and most people from Massachusetts talk fast, and I have a little bit of a wiseacre, and I think I'm a little bit like that.
I think of everything as comedy, but I don't think of it in terms of sitcom comedy, I think of it in terms of Chekhov comedy. Chekhov called his plays comedies. There's always a mixture of a laugh with sadness. So the plie to the laugh is sadness.
I think that it's important for people to read philosophy and literature is not because I think everyone should be a well-rounded human being, but because it will help you think better about what you are doing.
I think a lot of people, when they think about the house, they think of the print. But when people think about Emilio Pucci, I want them to think about this really, really hot girl, so my biggest job is to give her a face and an identity - and I do that by trying to associate that kind of print that people have in their minds with a kind of girl who is free-spirited, rebellious, a little bit rock 'n' roll, and who has a lot of energy, who is up.
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