A Quote by Jonah Hill

It's not unexpected for me to be in a comedy film anymore; I'm no longer the underdog in that world. — © Jonah Hill
It's not unexpected for me to be in a comedy film anymore; I'm no longer the underdog in that world.
It's always better to shock people and change people's expectations than to give them exactly what they think you can do. It's not unexpected for me to be in a comedy film anymore; I'm no longer the underdog in that world. Not that I'm great or good at it or anything, it's just that I've done a bunch of them, so you're not shocked.
America champions the underdog. We champion the underdog until he's not the underdog anymore, and he annoys us.
For me comedy and violence has a lot in common. Just as you expect, comedy always lurks behind the most unexpected of circumstances.
Nowadays if you talk of comedy as a film genre, you cannot create a simple comedy film, because there are so many other platforms where you can watch comedy free of cost.
Ask anyone who makes a full-length movie that's shown in the art world if they'd rather have a career as a film director or as an artist. Invariably, they'd rather be known as a film director, because that's what they are. But there's not really a system of independent distribution anymore that allows for that, and so the art world has kind of become all-enveloping. It's absorbed all of these disciplines that don't have a home anymore.
I'm not interested in a film about deceit anymore. I think I was always invested in deceit on some level. But it no longer compels me the way it did for so many years.
I like broad comedy. If I had an idea tomorrow for a film that was all slapstick and broad comedy, and it was an idea that interested me, I would not hesitate to do it because I enjoy watching these kinds of film.
What I like about The Meddler style of movie is that it's a fairly lighthearted romantic comedy, but there are hidden moments where something happens that's unexpected, that hopefully have some kind of emotional resonance that you didn't see coming. I love when a film does that.
I would love to do a film with a lot of humor in it: a comedy with pain instead of a painful film with some comedy.
For me, if you distill comedy down, it is surprise and the unexpected. That has to be it on its most base level, in any form.
I like the idea of building the suspense and taking it all the way up to the very last second with the suspense, and right when you think you can't take it anymore, then you come in with the joke and kind of break the tension. To me, that's the best kind of film. I like thrillers, so thrillers with comedy, to me, is always the best.
I think 'Paper Moon' is a comedy-drama. 'What's Up, Doc?' was the most severe comedy, but my favorite film of my own is 'They All Laughed,' which is a kind of bittersweet comedy.
Everybody likes the underdog, because everybody feels like the underdog. No matter how successful you are, you always think, 'No one's being nice enough to me!'
Everybody likes the underdog, because everybody feels like the underdog. No matter how successful you are, you always think, No one's being nice enough to me!
If anything, being a female has afforded me opportunities on YouTube that I necessarily didn't have in doing traditional comedy and auditioning in TV and film and that whole world.
If anything, being a female has afforded me opportunities on YouTube that I necessarily didn't have in doing traditional comedy and auditioning in TV and film, and that whole world.
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