A Quote by Jonah Hill

You have more of a responsibility to make the audience laugh. In comedy, we do have to say, "All right, it's been two minutes in the film. We need another laugh here." With drama, there's no pressure in that regard. It's a different kind of pressure, but it's not like we need to make someone laugh.
The best way to make friends with an audience is to make them laugh. You don't get people to laugh unless they surrender - surrender their defenses, their hostilities. And once you make an audience laugh, they're with you. And they listen to you if you've got something to say. I have a theory that if you can make them laugh, they're your friends.
Drama can feel like therapy whereas comedy feels like there's been a pressure and a weight lifted off of you. You come to work and you laugh all day, you go home and you feel light and there's a certain feeling when you're sitting with the audience and they leave after 90 minutes and it's just pure escapism and they're happy.
The Four Levels of Comedy: Make your friends laugh, Make strangers laugh, Get paid to make strangers laugh, and Make people talk like you because it's so much fun.
I think everyone's different but in comedy, I try to do my scene to make the director and the other actors laugh. If I can make them laugh and we have the same sensibility, then I'm on the right page.
The first purpose of comedy is to make people laugh. Anything deeper is a bonus. Some comedians want to make people laugh and make them think about socially relevant issues, but comedy, by the very nature of the word, is to make people laugh. If people aren't laughing, it's not comedy. It's as simple as that.
I feel really comfortable with going for the reality of the drama, but I'm not much for the comedy of it. You have to make people laugh, or you have to be true to the character in such a way that makes people laugh. It's a whole different thing.
We are a nation that has always gone in for the loud laugh, the wow, the yak, the belly laugh, and the dozen other labels for the roll- em-in-the-aisles gagerissimo. This is the kind of laugh that delights actors, directors, and producers, but dismays writers of comedy because it is the laugh that often dies in the lobby. The appreciative smile, the chuckle, the soundless mirth, so important to the success of comedy, cannot be understood unless one sits among the audience and feels the warmth created by the quality of laughter that the audience takes home with it.
The timing of comedy is so difficult. You've got to leave room for a laugh, you don't want to kill the laugh, but on film, you can't just suddenly stop for a laugh and then carry on. So, I think it's a real art form, comedy on film.
I'm honored that other comedians like what I do. That means the world to me. But at the same time when I'm on stage I'm not just trying to make the comedians laugh - I'm also trying to make the audience laugh. I want to make everybody laugh.
Germans try to categorize films: in a comedy, you just laugh and in a drama, you're not allowed to laugh. I don't believe in that, sometimes we laugh and cry in the same hour.
My philosophy is, it's always very rewarding when you can make an audience laugh. I don't mind making fun of myself. I like self-deprecating comedy. But I'd like you to laugh with me occasionally, too.
I have been so busy making people laugh with my acting, so I thought why not direct something and make my audience laugh more.
I am serious, so I laugh a lot. You need to laugh. You don't laugh enough. I don't trust anyone who doesn't laugh.
Someone once said that to make a regular person laugh, you need to dress a guy up like an old lady and push him down the stairs. To make a comedy writer laugh, you have to push a real old lady down the stairs. I don't know who that's attributed to. I think it's Aristophanes. Or Catherine the Great.
I've been doing comedy since I was two. You know, kids who make other kids laugh. The sickness had set in! I could make my friends' parents laugh; I had a sense of what was silly and funny.
There is always pressure. If you make a flop film then you are under pressure to make a hit film. If you make a hit film then you are under pressure to surpass your own standard or at least deliver another hit because the audience also has expectations.
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