A Quote by Jonah Hill
It's always better to shock people and change people's expectations than to give them exactly what they think you can do. It's not unexpected for me to be in a comedy film anymore; I'm no longer the underdog in that world. Not that I'm great or good at it or anything, it's just that I've done a bunch of them, so you're not shocked.
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It's always better to shock people and change people's expectations than to give them exactly what they think you can do.
It's not unexpected for me to be in a comedy film anymore; I'm no longer the underdog in that world.
Since I've been so honest with them, my fans know me very well so I don't think anything surprises them at this point. I've always told them exactly what's going on in my life and in my head, and because of that, I don't think anything is a huge surprise to them anymore.
Anything that you can shock somebody with. The only way to change something is to shock it. If you want your muscles to grow, you have to shock them. If you want society to change, you have to shock them.
Sometime I'm going to do an essay called 'The Virtues of Amateurism' for all of those people who wish they earned their living in the arts. The market kills more artistic people than anything else. It's a world of safety out there, for most people. They want safety, the magazines and manufacturers give them safety, give them homogeneity, give them the familiar and comfortable, don't challenge them.
People have expectations from you - and the whole fun of acting is taking expectations and completely upending them. That's how you get laughs in comedy, and that's how you scare the daylights out of people in a horror film.
I think it's part of the responsibility of an artist to shock, to upset, to make people think differently, and to surprise people. And that's where the good humor is, if there's a surprise and there's something unexpected. Something that's not normal, not in the realm of general living expectations.
Image and music always works together for me. I think they're equally important and I've always done things in a way that people remember them by, but I don't set out to just shock people...because that's very easy, a lot of people could do that, I just like to do things the way that makes me happy really. And sometimes that's too much for certain people, but, you know, I try to push the envelope to make the boundaries wider as far as what you can and can't do in music.
Growing up, all I saw was my parents trying to be the best people they could be, and people coming to them for wisdom, coming to them for guidance, and them not putting themselves on a pedestal, but literally being face-to-face with these people and saying, "I'm no better than you, but the fact that you're coming to me to reach some sort of enlightenment or to shine a light on something, that makes me feel love and gratitude for you." They always give back what people give to them. And sometimes they keep giving and giving and giving.
When someone who is known as a comedic actor goes to drama, it often doesn't work out, because they really just chose wrong, I think - or maybe they're just not good actors. For me it's important making that transition seamless, and not a huge shock and jumping into cold water. It doesn't feel like I'm trying to shock you or anything. I'm just saying, "I'm a different actor than you thought I was. Don't put me in a box. I'm not just some kid running around screaming curse words." I have other tastes besides comedy. I love comedy, but I love dramatic movies just as much.
The old gods and their magics did not dwindle away into murky memories of brownies and little fairies more at home in a Disney cartoon; rather, they changed. The coming of Christ and Christians actually freed them. They were no longer bound to people's expectations but could now become anything that they could imagine themselves to be. They are still here, walking among us. We just don't recognize them anymore.
You can't give someone five hundred punches in a film anymore. You beat on them, and they continue to stand there staring at you. That doesn't work. People just don't buy that anymore.
I think there's a lack of really, really good funny scripts out there that work on all the levels that they're supposed to - which is to say that they're not just funny but they have interesting characters that people are going to like and be invested in. I've done a bunch of movies that haven't worked but I like to think I've done some that have worked and that's because not only is the comedy there but the characters and storylines are interesting. The characters are real and relateable and people were invested in them.
I don't think it's good when entertainment tries to proselytize and I don't think people ultimately want someone showing up in their living room and just hectoring at them all day long. But if you can create a space where people are caught up in something - whether it's a drama, a comedy, a romantic comedy, or science fiction - that's when people give over their minds and allow their emotions to flow.
I love what I do and I'm super confident in it, but I also think of myself as humble in it. It's not better than what anyone else is doing, but I'm doing the best job of being exactly who I am, and doing what I want to do today. It feels so good to me that it doesn't really matter what it means to other people because that's more about them than me. I'm in a really great place with it.
Now, some people do this for shock value. Shock is just another uptown word for surprise. Granted it has a different quality to it, but a joke is about surprising someone. I'm a great believer in context. You can joke about anything. I do like finding out where the line is drawn, deliberately crossing it and bringing some of them with me across the line, and having them be happy that I did.
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