A Quote by Jonah Hill

Stanley Kubrick made Shelly Duvall go crazy during 'The Shining.' It's like one of the best performances ever. Maybe he shouldn't have gone that far, but I love that movie. — © Jonah Hill
Stanley Kubrick made Shelly Duvall go crazy during 'The Shining.' It's like one of the best performances ever. Maybe he shouldn't have gone that far, but I love that movie.
'Love' has that Kubrick tonality to it, but this is not a Stanley Kubrick movie - there will never be another. At the same time, 'Love' has a modern feel. For example: In one scene, these astronauts go through a wormhole sequence, and you feel like you're being slapped around inside your head by a sonic boom.
I remember hearing a good story about Jack Nicholson working with Stanley Kubrick on The Shining [1980]. Nicholson was saying that, as an actor, you always want to try to make things real. And believable. When he was working with Kubrick, he finished a take and said, "I feel like that was real." And Kubrick said, "Yes, it's real, but it's not interesting".
I really love Robert Duvall, who I think is maybe the best American actor. I love Robert Duvall because the ability that he has to change and do the most amazing work.
Standing beneath the white light of an Apple store is like standing on a Stanley Kubrick movie set. His '2001: A Space Odyssey' predicted Jobs and a future where technology was our friend. Kubrick, of course, didn't like what he saw. And occasionally, I have my doubts.
I like collaboration, I like to incorporate other people's ideas [and] that's what happens when you do a big movie. Unless you're called Stanley Kubrick and you do an independent movie for like $200 million.
I like David Lynch; I like Stanley Kubrick. I'm a big fan of Kubrick.
I generally like very visually striking films. I love a lot of Stanley Kubrick's films. I would have to say 'Dr. Strangelove', which of course has got resonance in 'Watchmen'. It's a favorite movie of mine.
It's often the case with directors that they don't like to share credit, which is the case of Stanley. He would prefer just A Film By Stanley Kubrick including music and everything.
The only outlet in mainstream culture for classical and more experimental music to be heard is through movie soundtracks, and they're such a wonderful display of emotion. I think the guy that did that best is Stanley Kubrick, working with Wendy Carlos who is an electronic composer.
At age 12 I had an obsession with Kubrick's A Clockwork Orange and then proceeded to watch all the other Kubrick films I could including a doc called Stanley Kubrick: A Life in Pictures in which it was revealed to me that he started as a photographer...I got a camera sometime shortly after, but spent many years just photographing flowers in my neighborhood.
I'd worked in Clockwork Orange with Stanley Kubrick and since Stanley was such a prestigious director this opened all sorts of doors for me - one of them being Star Wars.
It would be incredible to work with Stanley Kubrick and go back in time.
Stanley Kubrick knew we had good graphics around MIT and came to my lab to find out how to do it. We had some really good stuff. I was very impressed with Kubrick; he knew all the graphics work I had ever heard of, and probably more.
Stanley Kubrick was very selective when he went into a close-up. Every director has his taste in a performance, but Stanley would explore a scene to find what was most interesting for him.
I like filmmakers where, if their film comes on and you step in halfway through it, you can recognize that, hey, this is a Coen Brothers film. Or, hey, this is a Stanley Kubrick movie. You can recognize some filmmakers. Like, if you put on a Sam Raimi movie, you can tell that it's a Sam Raimi movie pretty quickly. I like a signature style that people can recognize and relate to, and connect with. I think that is part of why we seek out certain directors. We want to see how they view the world.
The best conversation with Stanley Kubrick is a silent one: you sit in a theatre and watch his films and you learn so much.
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