A Quote by Jonah Hill

I've learned through experience of playing different characters, some of whom were jerks, that when you play a character who is pretentious or obnoxious, in any way, it's important to knock them down a peg.
I don't think I ever relinquish a person I have known, and surely not my fictional characters. I see them, I hear them, with a clarity that I would call hallucinatory if hallucination didn't mean something else ... A character whom we create can never die, any more than a friend can die ... Through [my characters] I've lived many parallel lives.
I like playing a variety of characters. I feel like I've been able to play different kinds of characters - I've done a lot of period pieces - but I've never had to play the same type of character too much.
What I like to do as an actor is transform. It's way more fun to play characters who are completely different than me. I like playing characters who appear one way on the outside but are actually very different from that.
I think if you play characters, it's very important not to ever tag them with any sort of disorder, or diagnose them, or whatever. You have to normalize the behavior to get inside the character.
It's difficult to learn to play these different disabled characters - Campbell in 'Switched At Birth' was paralysed from the waist down - but it's nice to be able to step into their world and live in these characters' shoes and to be able to play them, because it gives you a different look at life.
Any script, even like The Founder, if it's something that I imagine myself playing this character or that character - any of the characters, basically - how do we flesh these characters out to be good enough to have amazing actors that come in that make it really difficult for them to say no? Even though I'm not right for any of those parts, that's just kind of how we go about it.
Now I'm able to play on the main stage and play my own tracks and the crowd likes them. I feel like a lot the other DJs play a lot of the same songs, and not to knock them, but it's important to me to go up there and sort of sneak in a bunch of stuff the other guys aren't playing.
I would love to just continue playing characters that break the mold. I like making interesting decisions when playing characters, so, taking something that would seem one way and then playing it a different way.
I've played a different type of character in a different type of thing, for the most part. It's not like you can't mine tons of fascinating stuff from any character that you play, and I've always been fascinated with women and relationships, but this has been a completely different experience, for sure.
I like playing characters that are true to life, and there's no guarantee that any of us are going to be okay, but we intend to be, and we take the time to try to be. I don't think it's any different for a character.
Charlie Christian had no more impact on my playing than Django Reinhardt or Lonnie Johnson. I just wanted to play like him. I wanted to play like all of them. All of these people were important to me. I couldn't play like any of them, though.
You need to stay in that one position to get consistency that way. Different things are going through your mind when you are playing out right to when you are playing through the middle, so you can't get through that routine of where you want to play.
I kind of want to take the writer down a peg. I think there are a lot of pretentious writers in this business, which I am certainly one, in certain cases.
I've used my experience from playing sports in almost every aspect of my life. Playing soccer is where I found my voice, and playing softball was where I learned precision, and in every game I learned to play as a member of a team - to work not for my own glory, but for a shared goal.
That is their way, those plagues, those scientists - peg, peg, peg - dig, dig, dig - plod, plod, plod. I wish I could catch a cargo of them for my place; it would be an economy. Yes, for years, you see. They never give up. Patience, hope, faith, perseverance; it is the way of all the breed.
If I have to play an obnoxious character, try to find a redeeming feature of him. The most obnoxious people in the world were people, and they had had a reason for doing what they did. So you try to find that and let the obnoxiousness come out.
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