A Quote by Jonas Armstrong
I'm always polite in auditions, but I wasn't like, 'Oh, please give me the job,' for 'Robin Hood' because I didn't think I'd get it. I got told about the audition just a few days before I went to India to film something else. I must have been a bit cocky with it.
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I didn't tell anybody [had got a role at As Good As It Gets], because I was just going, "Well, that was the strangest audition..." And I just thought, "There's no way he gave me the job on the spot when there was a room full of other girls waiting to audition for it." But then I didn't hear anything for a couple of days, so I finally called my agents, and they're, like, "Oh, yeah, congratulations! We know Jim [L.Brooks] told you in the room that you got it."
Auditions are so much fun. A lot of people dread auditions; they think they have to do it in order to get the job. I don't really mind if I don't get the job, as long as I get to do something interesting in the audition. It makes me feel more creative as a person.
'Red Robin' was just another audition, like a lot of other auditions. I just lucked out, and I got it. It's a great group of people I get to work with. Roger Craig Smith and Will Friedle and a bunch of guys. It's fun!
Bad news, Harry. I've just been to see Professor McGonagall about the Firebolt. She – er, got a bit shirty with me. Told me I'd got my priorities wrong. Seemed to think I cared more about winning the Cup than I do about staying alive. Just because I told her I didn't care if it threw you off, as long as you caught the Snitch first.
My mom is a Twilight fan as well and she's just as excited because she's read all the books so I think she wants to see it come alive just like anybody else. My parents supported me from the get-go, they are very supportive which a lot of people don't get. I told my dad I got the part before I told anyone else and he cried and he's so proud and he's so excited. I mean he's amazing and I'm so glad that he's going to sit beside me and go through all of that with me.
When you go to auditions, pretend you already have the job and you're just presenting - almost like you're at the table read. Don't go in with an air of, 'Please like me,' or, 'Please hire me.' You're like, 'Here's my take on it. Take it or leave it. I've got a lot of other things to do today.'
Improv definitely made me a better auditioner, without a doubt. We did do an audition semester in grad school, and that was helpful for those times that you have a script and you have a few days to prepare it, to really work on sides. But the auditions I was doing in New York, if you got it the night before, you were very lucky.
In P7, I played Robin in a musical version of 'Robin Hood' and afterwards DO McLean was standing with mum and dad and he told them that I should go into drama. It is still extraordinary to me that a man in that period would think that that was an option for me.
To be an actor, it's really tough to find your own voice because you're always tied to other characters and going to auditions and trying to get a job, hoping they'll pick you. And I think it's just so important for an actor to have something else that's creative, something that's creative and you're in charge of.
I have been in auditions where - because - you're always scared before, but if you let that scared feeling get the better of you or become too much, it could ruin your audition.
For me, basketball was always about survival because I was just trying to get out the hood, right? When I got to Chicago, I'm like, 'I'm just trying to survive, and anybody I got to step on or break, so be it.'
I audition for almost every role. I get into auditions even when I am just producing a film. Not that someone would fire me, but I keep trying various tests and keep working till I learn the job.
I thought I'd write a massive postmodern novel about Richard the Lionheart and Robin Hood, but it turns out they couldn't have met because the first mention of Robin Hood appears 60 years after Richard died.
I've grown up seeing the pros and cons but I love it and I've always wanted to act. Throughout all the rejections at auditions, and especially when I finally did get something, both my parents have been so supportive and always told me it is all about passion and, if I was doing it because I love it, there's no wrong choice.
Get into something that's really personal that means something to you, where you have something to say and is something really individualized. I wish I was more aware of that when I started my career instead of doing a few things I was told would be good for me. And they weren't, because it left me empty, so I didn't do a good job anyways. I think that's what's key to what we do: It's got to be personal.
Music has always been a part of my life and because it always seemed so natural to me, it took someone else saying, "I think you should consider doing this for a job," for me to actually look at it that way. To me, it wasn't super goal-oriented in that way. It was like, "Oh, I like to play shows and I like to record," but I didn't think of it any more than that.
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