A Quote by Jonas Blue

I don't drink or party. There's literally no time for that. As soon as I finish a show, I go straight back to the hotel room, do emails, I sleep, that's it. — © Jonas Blue
I don't drink or party. There's literally no time for that. As soon as I finish a show, I go straight back to the hotel room, do emails, I sleep, that's it.
I've never told anyone this before, but I'm an obsessive-compulsive. I go back to my hotel room every evening and put the coat hangers back in order and open my bag and rearrange it. It takes a lot of my time, but if I don't do it I can't sleep.
What happens is we finish the show, have a couple of drinks, go back to the hotel, talk, and that's it.
There are definitely some nights where the show is over, and you're on the bus or a hotel room, and it's sort of a shock to go from being in the atmosphere of a club or a theater and be at your own show to being by yourself in a hotel room.
As my good friend Al Capp told me a few years ago, the best thing to do with a confirmed [hotel] reservation slip when you have no room is to spread it out on the sidewalk in front of the hotel and go to sleep on it. You'll either embarrass the hotel into giving you a room or you'll be hauled off to the local jug, where at least you'll have a roof over your head.
Sometimes, literally within a few minutes, you'd be off this amazing roaring scene and back at your hotel room, staring at the patten of the wallpaper. It's very surreal. You're back in your room, and it's dead quiet and really weird.
Go back, go back to sleep. Yes, you are allowed. You who have no Love in your heart, you can go back to sleep. The power of Love is exclusive to us, you can go back to sleep. I have been burnt by the fire of Love. You who have no such yearning in your heart, go back to sleep. The path of Love, has seventy-two folds and countless facets. Your love and religion is all about deceit, control and hypocrisy, go back to sleep. I have torn to pieces my robe of speech, and have let go of the desire to converse. You who are not naked yet, you can go back to sleep.
One day, after shooting, when I went back to my hotel room to relax, I just couldn't sleep. I had a feeling that someone was in my room. I was scared and opened all my windows and doors, but the feeling only got worse. I decided to leave the room immediately.
I've stayed in so many hotel rooms that I'm shocked if, when I stay in a hotel room, the hotel phone isn't on the desk. Then I'm like, "This isn't a real hotel room." If there's not outlets next to the desk, or if they have an iPhone adapter for an iPhone 4, that's when I'm sitting there annoyed. I understand that it's ridiculous, but that's just me spending way too much time in hotels.
She left me the way people leave a hotel room. A hotel room is a place to be when you are doing something else. Of itself it is of no consequence to one's major scheme. A hotel room is convenient. But its convenience is limited to the time you need it while you are in that particular town on that particular business; you hope it is comfortable, but prefer, rather, that it be anoymous. It is not, after all, where you live.
I get my most creative energy after a show, so I love to go back to the hotel and compose new material. I generally do it in a rush. I have to get it out, otherwise I can't sleep.
My whole life at a certain point was studio, hotel, stage, hotel, stage, studio, stage, hotel, studio, stage. I was expressing everything from my past, everything that I had experienced prior to that studio stage time, and it was like you have to go back to the well, in order to give someone something to drink. I felt like a cistern, dried up and like there was nothing more. And it was so beautiful.
While we were shooting the movie, we shot in the actual hotel in Hong Kong where it all went down, the Mira Hotel. Laura Poitras was coming to Hong Kong to do a screening of Citizenfour, and she ended up staying at the Mira Hotel. It was her first time back in Hong Kong, and I ran into her in the elevator. Literally I had just finished shooting one day, and I came back to the hotel and she was in the elevator.
It's kind of hard when you're on the road all the time, from one show to the next, from one hotel room to the next hotel room, it's kind of hard to think about everything.
After I defended my title the first time when I beat Sarah Kaufman, I went back to my room, and my friend ordered all these trays of hot wings. They came into the room, and the little hotel sheet thing was draped over it, and I go to open it up, and it's breaded and boneless. I cried.
The breezes at dawn have secrets to tell you Don't go back to sleep! You must ask for what you really want. Don't go back to sleep! People are going back and forth across the doorsill where the two worlds touch, The door is round and open Don't go back to sleep!
People go to Vegas, and they don't know what to do; here's what you do. You go to the casino in your hotel. On your arrival, you get $100 in quarters. Take that $100 back to your hotel room and stare at it for a long, long time. Why? Because you're never going to see them again. Then you take those quarters to the bathroom and you flush them, one by one by one. And the nice thing about that is that every so often the toilet will back up, and you'll feel like a WINNER!
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