A Quote by Jonas Blue
I come from a songwriter background, so essentially with my music, I'm trying to make songs that will last a lifetime and although 'Fast Car' was a cover, it reflects what I'm trying to do.
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I put on music and I'm washing my car. And I put on music if you have somebody and you're trying to make love. You put that on in the background and you go, maybe this will be romantic.
I just want to make a classic. Classic is the standard. I'm just trying to make music that will last a lifetime.
I think it's something to do with the structural quality of the songs. We weren't actually trying to make stuff that was cool, or of the moment, although a lot of it was. We were trying to make stuff that was good enough to stick around and lo and behold, it has.
If you look at the history of music, you have classical composers, church music, pop music, etc. Music that's existed for centuries. I think there are some songs that are close to immortal. They will last longer than we will in this lifetime.
I'm still trying to make it. I'm still trying to get this over and do it and hopefully leave some kind of a mark on the course of American music, particularly in the tradition of what you might call the singer-songwriter.
I'm always looking for a cover subject that reflects the magazine, an interest in fashion, in culture, in society. We're trying to bring the world into the pages of 'Vogue.' We do that by tapping into the zeitgeists with our cover subjects.
I need all kinds of songs - fast ones, slow ones, minor key, ballads, rumbas - and they all get juggled around during a live show. I've been trying for years to come up with songs that have the feeling of a Shakespearean drama, so I'm always starting with that.
I'm not trying to stay in the same place and I'm not trying to compete with what's currently in fashion. That would be dishonest. But, at the same time, I'm different and the music reflects that to some degree.
Everyone is trying to make these huge songs; I just make things that I want to listen to. Music that I will be comfortable listening to 10 years from now, that's my only thing.
I didn't know if it would be a successful one, or what the stages would be, but I always saw myself as a lifetime musician and songwriter...I was always concerned with writing to my age at a particular moment. That was the way I would keep faith with the audience that supported me as I went along...I'm a synthesist. I'm always making music. And I make a lot of different kinds of music all the time. Some of it gets finished and some of it doesn't...The best music is essentially there to provide you something to face the world with.
I was just trying to make it to a second contract before guys. I was trying to outplay guys on the field and trying to last longer than them in the league. I think all of those things go through your head when you're a late-rounder, and you're always trying to prove people wrong.
Jonas' music is inspiring, energizing, and spiritually uplifting. A brilliant songwriter, he writes music that reaches deep into the soul and awakens the best and highest in all of us. And Jonas delivers his songs with a power, joy, and grace that last long after the last note is played. The world needs this music!
Trying to change the world is like trying to straighten the curly tail of a dog. Try as you might, it will still go hack to its natural curl. Your hands will become stronger from the exercise of trying to straighten the curly tail. Although you max' not he able to change the world, you would have acquired more spiritual strength within - and that alone will make a difference in the world.
We're always trying to outdo ourselves, trying to do better, trying to write better songs. I think we want to inspire other people as well, so that's what we'll try to do through future songs.
The place that I'm trying to come from and where I'm trying to make music from is when I feel like I'm able to somehow, like, transcend it all and just speak right to God.
What's important is a great set of objective ears, years of experience and a great room with a true sound. Look at this way: If the equipment in a studio is a high performance car, and the mastering engineer is the driver, putting the car on ice and trying to achieve a good lap time is like trying to master music in a bad room, all the equipment in the world wont help you connect with the music and let you hear what's really happening. The room is the environment in which the mix performs to its potential, as the road is to the car. It's hugely important.
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