A Quote by Jonas Blue

I've always wanted to collaborate with Shawn Mendes, he's an amazing artist, but the thing with Shawn is that I won't collaborate... me just sending some beats. It has to be in the studio where we'd both be there recording together.
Nobody is trying to avoid Shawn Porter. Look at all the named fighters that fought Shawn Porter, because nobody is avoiding Shawn Porter. Nobody is scared of Shawn Porter. Shawn Porter can beat you. He's tough, durable and comes to win but nobody's scared.
I just so desperately wanted to be published in New Yorker, and I'd so desperately try to get something in it. But I'd always get nice letters back telling me that Mr. Shawn [William Shawn, the New Yorker's editor from 1952 to 1987] just didn't like this or didn't like that about what I submitted.
Going into work and seeing Shawn Michaels - someone I watched growing up - how many people can say that? That they get to see people like Shawn Michaels at work and that they get to learn off Shawn Michaels. To me that's insane.
I lived, ate, breathed, slept Shawn Michaels. I wouldn't call it pro wrestling back in the day when I was a kid. I just called it Shawn Michaels.
When I was a kid, I got to meet Shawn Michaels at the Continental Airlines Arena, and I showed Shawn that picture.
I want to collaborate with me 'cause I've done so many collaborations that after a certain point unless you're really working with a certain caliber of an artist, there's no point [to collaborate].
I was getting loads of tweets from people saying that Shawn Michaels had talked about me on Chris Jericho's podcast and then I got to meet Shawn Michaels when I was over in Florida.
Shawn's (Shawn Weatherly - former beauty queen) acting ability is such that she could not convey the concept of falling if your pushed her off a cliff.
At the end of the day I'm not just sending beats in. I'm mixing the song. I'm recording the song. I'm engineering the song. I'm in the studio helping with the songwriting. I'm doing the whole beat - every single piece of it is me.
I hear you guys all the time talking about Daniel Bryan, trained by Shawn Michaels. One curious thing to me is, how come you guys never mention William Regal? William Regal did the real work with this young man. Shawn Michaels took $3,000 from him, that's all he ever did.
I definitely look up to Troye Sivan and Shawn Mendes as people that have successfully made the jump into the music world. I think it's incredible that they have been able to do that because it's not easy.
When I decided to collaborate with people, I wanted to collaborate more with the underdogs, the street people, messing with the people like Jae Millz and Papoose. When I went to New York, they were all over the mixtapes, so I wanted to get down with those guys instead of trying to go safe with all the super-big names.
I had seen Shawn Levy's movie just before, Just Married. And I think when I met him too, he's very smart and together and he's got it together.
Everybody wants to collaborate with me. I was going to collaborate with Whitney Houston, but she died. Very sad, man. We were very good friends.
I view the whole thing as a collaboration. As an actor, I always found that to be the most freeing thing, when the director would collaborate with you, so that together you'd come up with something exponentially better.
With me and Timbaland, we would always be at the studio, but working separately. He would be doing his thing with the beats and I would be doing my thing writing and then we would both come together and say 'OK, you add this to it and I'll add that to it.'
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