A Quote by Jonas Blue

The focus is on melody: If you get it right, and it connects to the mass audience, it doesn't matter if it's a studio album or played on the dance floor. — © Jonas Blue
The focus is on melody: If you get it right, and it connects to the mass audience, it doesn't matter if it's a studio album or played on the dance floor.
As of right this second my main focus is my new album, it'll be out probably towards the summertime, predominately R&B this time. I had a little stint with the dance music and all of that, which I had a good time with- and I love the audience, I love them for accepting me doing it -but I had to go home on this one. Had to take it back to my roots, and not to say that there won't be one, maybe two songs on there that the dance crowd can get into, but the majority, the girth of the album, will be R&B.
When I get on the dance floor, my purpose in being on the dance floor is not to end up at another spot when the music stops. The purpose of the dance is to enjoy every step along the way.
It doesn't matter if I'm off the beat. It doesn't matter if I'm snapping to the rhythm. It doesn't matter if I look like a complete goon when I dance. It is my dance. It is my moment. It is mine. And dance I will. Try and stop me. You'll probably get kicked in the face.
I urge you to be bold. Life isn't changed from the balcony. Get onto the floor and dance, dance, dance.
The key of the success of Studio 54 is that it’s a dictatorship at the door and a democracy on the dance floor.
I was a studio engineer out in L.A. for about six or seven years, and I played sideman for different people, and played in bar bands. I was an old man of 32 when I made my first album.
I was writing for a publishing company in this old building right next to the RCA Victor Studio in Nashville. We were on the top floor, and Combine Music was on the bottom floor. I was friends with all those guys.
The thing is, I would need the right producer [for dance-music album ], right? "Calling all dance music producers! I'm available.
In our house, everybody is always dancing around and singing. We have a dance floor outside at our house, a big, huge dance floor that we all dance on.
Many people are shy when it comes to getting out on a dance floor. Dancing is an activity that... reveals your inner self, whether you like it, or know it, or not. It is hard to fake it on a dance floor.
I'm a very melody-driven writer and I have a rule that I don't write anything down because if I can't remember the melody than it wasn't worth remembering. So it's my way to test myself in the studio. When I was a kid I could sing pretty well so melody always made a lot of sense to me.
Any album that you pick up of mine, you know it's an Akon album. The guests are very limited, and you get to really feel the experience. You get the Akon experience when you get the albums. I always want to make sure that stays the way it is. I don't want to flood the album to where you lose focus on why you bought it.
Any album that you pick up of mine, you know it's an Akon album. The guests are very limited and you get to really feel the experience. You get the Akon experience when you get the albums. I always want to make sure that stays the way it is. I don't want to flood the album to where you lose focus on why you bought it.
It's as if my left heel is my bass drum and my right heel is the floor tom-tom. I can get snare out of my right toe by not putting it down on the floor hard, and, if I want cymbals, I land flat on both feet, full strength on the floor.
When I write a song, I get the melody right first, and then hopefully I can back it up with a lyric that has to respect the melody.
I'll always have a totally open mind to endless possibilities. I want to do a dance album. Not Techno, but a record that's exclusively designed for people to dance to. That whole dance genre is kinda into its own world. I'd just like to get in there and mess around with that.
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