A Quote by Jonas Blue

I think when 'Perfect Strangers' landed and was so well received, it was a magic moment. — © Jonas Blue
I think when 'Perfect Strangers' landed and was so well received, it was a magic moment.
In a world where people die every day, I think the important thing to remember is that for each moment of sorrow we get when people leave this world there's a corresponding moment of joy when a new baby comes into this world. That first wail is-well, it's magic, isn't it? Perhaps it's a hard thing to say, but joy and sorrow are like milk and cookies. That's how well they go together. I think we should all take a moment to meditate on that.
The artist brain is the sensory brain: sight and sound, smell and taste, touch. These are the elements of magic, and magic is the elemental stuff of art. In filling the well, think magic. Think delight. Think fun. Do not think duty. Do not do what you should do-spiritual sit-ups like reading a dull but recommended critical text. Do what intrigues you, explore what interests you; think mystery, not mastery.
My pictures are about a search for a moment—a perfect moment. To me the most powerful moment in the whole process is when everything comes together and there is that perfect, beautiful, still moment. And for that instant, my life makes sense.
That perfect day, that magic moment that we're all waiting for, is right now.
I don't take gifts from perfect strangers — but then, nobody is perfect.
I don't accept gifts from perfect strangers - but then, nobody's perfect.
I think my first hit was probably '24 is a Rubberband Man,' which was my second album. My first project, it was very well received in the Southeast region, all throughout the South and parts of the Midwest. It was very well received, but I didn't get national exposure on my second album.
I think there's something special about getting a moment perfect or near perfect. In a film, you can do that.
When people use the term magic realism, usually they only mean 'magic' and they don't hear 'realism', whereas the way in which magic realism actually works is for the magic to be rooted in the real. It's both things. It's not just a fairytale moment. It's the surrealism that arises out of the real.
People talk about perfect timing, but I think everything is perfect in its moment; you just want to capture that.
The wit of a family is usually best received among strangers.
There is no better moment than this moment, when we're anticipating the actual moment itself. All of the moments that lead up to the actual moment are truly the best moments. Those are the moments that are filled with good times. Those are the moments in which you are able to think that it is going to be perfect, when the moment actually happens. But, the moment is reality, and reality always kinda sucks!
What you try to become is a bringer of magic, for magic and the truth are closely allied and movies are sheer magic ... when they work, it's, well, it's glorious.
Magic is love. All magic should be performed out of love. The moment anger or hatred tinges your magic, you have crossed the border into a dangerous world, one that will ultimately consume you.
I used to think that when people fell in love, they just landed where they landed, and they had no choice in the matter afterward. And maybe that's true of beginnings, but it's not true of this, now.
There was a place in New York called Tannen's Magic. It still exists. But back in the day, it was really fantastic. You'd go into the old Wurlitzer Building, take the elevator to the 13th floor, which was labeled 14, because of bad luck, the elevator would open, and you'd be in heaven. It was all of these guys doing magic stuff with props. It's kind of gone now, that experience, the brick-and-mortar magic shop, but you really felt like you'd landed in the most amazing place in the world.
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