A Quote by Jonathan Agnew
I look at some young commentators who sit down with piles of notes, and of course, what are you going to do if you've spent hours preparing all this stuff? You're going to bloody well read it out. Boring!
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I'm not going to sit here and be stupid. If someone comes and offers me double what I'm on, of course I'm going to sit down and seriously look at it.
I like Wallace Stevens, Robert Frost, but some of the older ones it's hard for me to sit down with - when I sit down to read some poetry, I usually read more contemporary stuff.
More and more, I tried to make comics in the way I like to read comics, and I found that when I read comics that are really densely packed with text, it may be rewarding when I finally do sit down and read it, but it never is going to be the first I'm going to read, and I never am fully excited to just sit down and read that comic.
Hiding is not an option and you're going to step out and you're going to make mistakes. I'm going to look stupid. I'm going to say things I want to retract. I'm going to sing notes I wish I could have back, there's just no getting around the stumble, but if you stumble enough times you're going to fall off the edge and have no choice but to freakin' fly.
I know what we're going to do as PWR BTTM. We're going to put a new record out; we're going to go on tour a lot, and we're going to do cool stuff. We're going to try to be kind to our friends and family and loved ones. And we're going to look cute.
A knowledge of craft is not the enemy of creativity. You sit down to write and realize, today's going to be a really unconscious day and I'm going to let it all out. Or, today's going to be analytical. And some days all mixed up.
I would encourage people to realize that you don't have to panic if you're not part of a mainstream, or if you find yourself outside the flow. If it doesn't suit you, don't go along with it. Just sit it out and get your stuff done. Don't just sit moaning or getting drunk—I spent some years doing that. But if you can just come up with something of your own, however minor it is, that's going to be easier to live with when you're at the end of your life.
I understand the self-loathing and the resentment, and the discipline that it takes to sit down in front of a typewriter or computer every single day, whether it's going well or not going well.
When you sit down and write a song, you kind of have the idea for the song, and you sit there at the piano and you kinda just write it. And then of course later there's some dinking around with it and changing some stuff.
The idea that I'm going to have to sit down to write some fiction where I'm going to have to think of a plot would really scare me, because it would come out a mess.
What we really have to do is take a day and sit down and think. The world is not going to end or fall apart. Jobs won't be lost. Kids will not run crazy in one day. Lovers won't stop speaking to you. Husbands and wives are not going to disappear. Just take that one day and think. Don't read. Don't write. No television, no radio, no distractions. Sit down and think. . . . Go sit in a church, or in the park, or take a long walk and think. Call it a healing day.
Something that I've told all of my young artists is, there are going to be haters. You're going to read things that are going to hurt you. It's not going to make any sense. Just know that it's out there and that it's really easy to just press 'delete.'
Whenever we play new material, eventually some of the songs become classics themselves. They can't become that unless you play them. Any new song is not going to go down as well as some of the old stuff, because obviously the old stuff the fans know inside out.
If I sit down to write a young-adult novel, then I'm going to write either to the punch-pulling expectation of what I can't do, or I'm going to go the other way and think about what can I sneak in to be 'down with the kids' - which would be excruciating.
Being in writers' rooms turns you feral. You are swearing, you are going to very dark, mean places. You start out in the room with all these smart people, and you're all well-read and well-educated and the humor is really erudite. And then over the course of the year, after the production schedule grinds you down, it is just so mean and stupid.
I'm about going out in the world and noticing stuff, and going home and writing it down, and putting it next to other stuff I've noticed and seeing what happens.
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