A Quote by Jonathan Anderson

I love collecting things from auction - we Brits really are hoarders and collectors. — © Jonathan Anderson
I love collecting things from auction - we Brits really are hoarders and collectors.
Some prescient American collectors, including Vicki and Kent Logan and Mera and Donald Rubell, began collecting Chinese art before 2000 with a genuine passion, but as the auction prices exploded everyone was beating a path to the galleries and artist studios in China. It became the 'China thing.'
The artist is a collector. Not a hoarder, mind you, there's a difference: Hoarders collect indiscriminately, artists collect selectively. They only collect things that they really love.
The Brits are perfectly capable of managing the Brits and don't need Brussels telling them how to manage things.
I love buying things. I could be one of those crazy hoarders.
I love old architecture. I love collecting furniture, mixing really earthy things with the very polished. I don't come from an interiors background, so I'm not an expert. I just enjoy going to antiques shows and finding interesting things.
I come from a family of compulsive collectors, and my first memories are really all about collecting. I remember visiting flea markets with my mother or my grandmother - she goes to local ones around Varese, Italy, every Sunday when she's at home.
I think what happened in the last 10 or 15 years in the art market is that all the players - and that includes artists, dealers, art advisors, everyone - basically became dealers. We've had old-school collectors morph into speculators, flipping works. We've seen auction houses buying works directly from artists or from sleazy middlemen. The last step before the crash was the artists themselves supplying the auction houses. Dealing themselves, you know? The art world is as unregulated as any financial market there is.
I started collecting in the late 1990s. My first purchase was from an auction, a scroll by Dong Qichang, from the early 16th century, the late Ming Dynasty.
I am not opposed to the art market. I have lots of friends who are collectors. But the whole idea of the art market is complex. Sadly we have a situation where auction houses and secondary market dealers are creating a lot of confusion and unnecessary pollution.
I love Tumblr, I love it, it's like collaging and collecting images, it's such a fun thing to do, it's something that's really therapeutic and I don't really know why.
One of the best things I’ve read about that inexplicably, but endlessly, fascinating group of people, the so-called Serious Collectors of 78s. Petrusich burrows into not just their personalities but the hunger that unites and drives their obsessions. She writes elegantly, and makes you think, and most important manages to hang onto her skepticism in the midst of her own collecting quest.
The lure in art collecting and its financial rewards, not counting for a moment its aesthetic, cultural and intellectual rewards, is like the trust in paper money: it makes no sense when you really think about it. New artistic images are so vulnerable to opinion that it wouldn't take much more than a whim for a small group of collectors to decide that a contemporary artist was not so wonderful anymore, was so last year.
I really love muscle cars. I don't think people might realize that about me. I really want to go to an auto auction and blow my life savings on a Camaro. They have such design around them, such panache.
We're more familiar with what economists call an English auction - prices start low and rise as people bid. However, there is also the Dutch auction, where prices start high and go lower until somebody bites. Movies are sold to the audience via a very slow Dutch auction, where each phase between price drops can last weeks or months.
I love the sport, I love getting other drivers' helmets and collecting some of the things that are special to me.
Artists need a lot of collectors, all kinds of collectors, buying their art.
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