A Quote by Jonathan Anderson

I think ceramics are so amazing because they're incredibly educational - you can buy something made in the 14th century, and it looks like it was made yesterday. There's something to be learned there, and ceramics can tell you the history of the time because they're functional vessels, ultimately.
I was always doing films, but the ceramics didn't come until later. I did take ceramics in university, which gave me an appetite for the medium, but I couldn't figure out what I wanted to do with it yet.
I think love is one of those things that it's only really bad because it was once good. You can't miss something that was never amazing. So, what I've learned is that even if it ends badly, it's worth it if it made you feel something, if it taught you something.
The other day I started to take a course in psycho-ceramics. What is psycho-ceramics? It's the study of crackpots.
I took a number of graphic courses, lithography and etching and wood engraving [at Art Institute]. And particularly as I got more and more into ceramics, I thought, life drawing doesn't have anything to do with ceramics.
I read up a lot about ceramics and collect them, but when you make something, it's very difficult to like it. I quite like appreciating and supporting what someone else does.
Just because we can shoot something that looks like a movie doesn't mean we should. Sometimes if something looks too good, it's not funny. Some things need to look good, because we think it's funny that you'd spend so much time and be so precious about such a stupid idea.
I don’t regret any of the decisions I’ve made in my life. Because with every choice I’ve made, I’ve learned something new.
A lie was something you told because you were mean or a coward. A story was something you made up out of something that might have happened. Only you didn't tell it like it was, you told it like you thought it should have been.
I have always wished I could learn to be a potter. I love collecting ceramics; it would be so fulfilling to create something lovely.
I think it helps to get a film made because people who put money in are nervous. They like to have something recognisable enough to make them secure that there's a pattern there - that someone else put their money into something like this and made it back.
I learned about Chinese ceramics and African sculptures, I aired my scanty knowledge of the French Impressionists, and I prospered.
My big 'don't' would be wearing something just because someone told you it looks cool. I think a lot of people fall victim to that - of doing something that's a trend, but then you can tell if they don't own it or don't like it.
In short, [Coltrane's] tone is beautiful because it is functional. In other words, it is always involved in saying something. You can't separate the means that a man uses to say something from what he ultimately says. Technique is not separated from its content in a great artist.
The idea behind our shoes is simple: they are as light as possible, very soft and made from the finest leather we can buy. We try to make a combination of something that looks fantastic and is at the same time fantastically comfortable. This is the type of luxury people want to buy now, things that they can use every day.
It was a great mantel to be able to take on really, an amazing legacy. And you know to finally see it, because I just saw the final product yesterday as well, is really amazing to be part of something like this.
Whenever I think I know something is a classic, or an amazing song, I realise it's still so subjective, because you and your friends could be talking about something, say, '(I Can't Get No) Satisfaction' - an amazing classic song - or someone would be like, "'Hey Jude' is an amazing song!", and I'd be like, "I don't really like it."
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