A Quote by Jonathan Anderson

I'm completely dyslexic - it's the writing part. People read what I've written, and they have no idea what I'm trying to say. — © Jonathan Anderson
I'm completely dyslexic - it's the writing part. People read what I've written, and they have no idea what I'm trying to say.
When I've written for Bill Murray - I've written six films for him - people would read it and say, "Oh, that's so perfectly Bill." He'd read it and say, "Are you kidding? I can't say these words." So it's all about perception.
I'm not trying to amass people in the streets. I just want them to be more aware. So many Americans, for one reason or another, they watch the news and it doesn't really give them the idea of the world. Or they don't read or travel. They have no idea that America is part of the world and not the world itself. And so anything from the travel stories I tell, that's what I'm trying to get across.
I don't want my writing to be work to read. My main goal is completely shameless entertainment. I want people to smile and giggle and enjoy the book. I'm not trying to save the world through literature.
I was born in North London in 1947. I didn't learn to read until I was almost 8-partly bad schooling, and partly I suspect slight dyslexic problems. My father, driven mad by this, taught me to read. At 9 I began writing.
Still, one of the few good things about being dyslexic is that when I say I don’t read reviews, I mean I don’t read reviews.
When I read a script, if I feel it's written with the idea of just bashing other people, then I shy away from it. Sometimes it's some guy coming out with his own hatred, and I don't need to be a part of it.
Usually the poems are written in one sitting. There's always a groping towards some satisfying ending. But I'd say the hardest part is not writing. Once the writing starts, it's too pleasurable to think of it as a difficulty.
I like every part [of the film process ] except the business and admin stuff. The initial idea. Writing. Re-writing. Casting. Directing, Editing. If I had to chose I'd say writing, followed by putting music on the picture. That is magical.
I'm one of those people who writes out words. All of my text messages? You can read them. Everyone would know what I'm trying to say. My sister will say 'BTW.' Do you mean 'by the way'? Is that what you're trying to say?
I'm speaking for a bunch of girls when I say that the idea that feminism is completely natural and shouldn't even be something that people find mildly surprising, it's just a part of being a girl in 2013.
Read. Read. Read. Read many genres. Read good writing. Read bad writing and figure out the difference. Learn the craft of writing.
I think I'm speaking for a bunch of girls when I say that the idea that feminism is completely natural and shouldn't even be something that people find mildly surprising. It's just a part of being a girl in 2013.
THE WRITER can get free of his writing only by using it, that is, by reading oneself. As if the aim of writing were to use what is already written as a launching pad for reading the writing to come. Moreover, what he has written is read in the process, hence constantly modified by his reading. The book is an unbearable totality. I write against a background of facets.
You want to have the experience. As far as the creative side, the more I do this, the more I know that it's all about the writing. You got on a film sometimes and it's sort of half-written, and they expect and think that the actor's job is to bring the extra part and the good part. It's not. We're good at saying what other people have written, but for the majority of it, that's about it, comedians aside. It's all in the writing. Whether that's dialogue or character, or whatever, it doesn't matter. As long as they've done something special, than you can do something special.
Some people say that you should read people who think completely differently from you so that everything you read and everything that they say is a challenge to you but there's something to be said for reading people where you think, 'Yes, that's how I would have said it if I could have found the words for it'.
I can't complain that I've had a public all through my writing life, but people don't quite know what I've written. People don't read you too closely. Perhaps, after I've died, they'll look at my stuff, and read it through, and find there's more in it. That may be wrong, but that's what I comfort myself with.
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