A Quote by Jonathan Bailey

You can't sign on for a romance novel adaptation and then get prudish. — © Jonathan Bailey
You can't sign on for a romance novel adaptation and then get prudish.
One of the most common criticisms of romance is that the genre is too prescribed: If every romance novel ends happily ever after, don't the stories lack complexity? Don't the readers get bored?
Romance novels have the power to bring love into the lives of readers. Through the characters, we get to fall in love every time we pick up a romance novel. What could be better than that?
It [going from mini-series to series] was never even discussed because it [The Starter Wife] was, you know, an adaptation of a novel. And we - the mini-series encompassed the whole novel. And so it was always going to be a finite sort of event. And then I imagine when people started to really respond to the show and then we got ten Emmy nominations, USA sort of said, "Oh, I think maybe we have something here."
We know romance novels are a huge thing. Can we do a romance novel show on our network? I'm not sure.
As a romance novelist, I have a rather skewed view of babies. You see, they don't typically fit into the classic structure of the romance novel - romance is about two people finding each other and falling in love against insurmountable odds. Babies... well... babies are complicated.
I don't really get the same kinda romance that I would get from, like, jazz. And even to a lesser extent to rock 'n roll. Rock 'n roll has a romance to it - how can I put it? A very vulgar romance, but still a romance; whereas hip hop has more facade.
A romance novel is more than just a story in which two people fall in love. It's a very specific form of genre fiction. Not every story with a horse and a ranch in it is a Western; not every story with a murder in it is a mystery; and not every book that includes a love story can be classified as a romance novel.
ROMANCE, n. Fiction that owes no allegiance to the God of Things as They Are. In the novel the writer's thought is tethered to probability, but in romance it ranges at will over the entire region of the imagination . . .
I'd like to get a chance to wear two different hats in the business. I also think it would be really great to do an adaptation of a great novel.
In Italian, the word for novel is romanzo, "the romance." The English is "novel" - something new. Both of those elements, experimentation and love, are fundamental to the form.
Watching an adaptation of your novel can be a violent experience: seeing your old jokes suddenly thrust at you can be alarming. But I started to enjoy 'Money' very quickly, and then I relaxed.
She once said, 'I'm really a little prudish, which people may think incongruous'. I take a prudish point of view on certain films, books, and trends. Then, I pull myself up short and ask myself how Gypsy Rose Lee could possibly be this way.I thought that quote was so telling, a key insight into the way she so carefully separated who she was from her meticulous creation.
It's very bad to write a novel by act of will. I can do a book of nonfiction work that way - just sign the contract and do the book because, provided the topic has some meaning for me, I know I can do it. But a novel is different. A novel is more like falling in love. You don't say, 'I'm going to fall in love next Tuesday, I'm going to begin my novel.' The novel has to come to you. It has to feel just like love.
Even the geekiest of guys could get the girl if he read every romance novel that came out in any given month.
I have always been fascinated with romance and the fact that it is so effortless when we first fall in love but how it then becomes a conscious effort to stay creative and connected. Thats why I always say, 'Get wise: keep your romance alive.'
In terms of how prudish Americans were in the '40s and '50s, I have absolutely no idea. I do know about the character that I play. And I don't think it's about being prudish. I think it's about trying to balance a sense of control in this man's life.
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