A Quote by Jonathan Bailey

It's so important to see everything through every gaze and the female gaze in terms of sex is not something we have seen much of. Let's reassert that balance! — © Jonathan Bailey
It's so important to see everything through every gaze and the female gaze in terms of sex is not something we have seen much of. Let's reassert that balance!
For me, the male gaze is oppressive. And I hope if we are building a female gaze that it's inclusive, and it's about pure desire and not how I want people to look in order for them to be desired by me.
I identify myself with the male gaze, I grew up with the male gaze, I've been excited by the male gaze. I'm a product of that culture.
I think my movies are very much about the female gaze... But it's not going to happen magically if you're a woman. It's still something you have to deconstruct, but it's not something you have to be vigilant about.
I think the female gaze is important because we cannot have just one perspective on anything.
Whoever fights monsters should see to it that in the process he does not become a monster. And if you gaze long enough into an abyss, the abyss will gaze back into you.
During the shooting of a scene the director’s eye has to catch even the minutest detail. But this does not mean glaring concentratedly at the set. While the cameras are rolling, I rarely look directly at the actors, but focus my gaze somewhere else. By doing this I sense instantly when something isn’t right. Watching something does not mean fixing your gaze on it, but being aware of it in a natural way. I believe this is what the medieval Noh playwright and theorist Zeami meant by ‘watching with a detached gaze.’
People think I live here on Nantucket and just gaze at the ocean, getting my inspiration. Not so. I work in my basement and gaze out onto a single window that shows me a cement wall. This is a profession, and it's important to have professionalism about the writing.
In a lot of the Regency stuff we've seen in the past, we see a very composed woman. There's not much sexuality there. It's very much the male gaze.
A philosopher once asked, "Are we human because we gaze at the stars, or do we gaze at them because we are human?" Pointless, really..."Do the stars gaze back?" Now that's a question.
Lower your gaze because you become less of a human every time you stare at a woman and you stare at her like she's a piece of meat, like she's an animal. That just means you've lost respect for a fellow human being. You're looking at her like an ape looks at a female ape, like a dog looks at a female dog.That's all, you've turned into an animal. Regain your humanity. Lower your gaze.
Male filmmakers only need to tap their female selves in order to develop their female gaze as many great filmmakers have done. But why is it important to do so? Because the world has been run by aggressive males and landed itself in a fine mess.
It is important that we have the inner richness to be able to look up at the stars or the moon and compose a poem once in a while. When we open wide our minds and fix our gaze on the universe, we fix our gaze on our own life.
Gaze no more in the bitter glass The demons, with their subtle guile, Lift up before us when they pass, Or only gaze a little while.
... here, where the gaze is stopped everywhere, the whole earth is designed so that the face turns upward and the gaze implores. Oh! I hate this world where we are reduced to God.
I discover vision, not as a 'thinking about seeing,' to use Descartes expression, but as a gaze at grips with a visible world, and that is why for me there can be another's gaze.
Regardless of the business aspect of things, is there a reason that there isn't a female Hitchcock or a female Scorsese or a female Spielberg? I don't know. I think it's a medium that really is built for the male gaze and for a male sensibility.
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