A Quote by Jonathan Bailey

There's an element of control that comes with acting which you've just got to be really mindful of. — © Jonathan Bailey
There's an element of control that comes with acting which you've just got to be really mindful of.
When things are going well, be mindful of adversityWhen prosperous, be mindful of povertyWhen loved, be mindful of thoughtfulnessWhen respected, be mindful of humility
There is a documentary element in my films, a very strong documentary element, but by documentary element, I mean an element that's out of control, that's not controlled by me. And that element is the words, the language that people use, what they say in an interview. They're not written, not rehearsed. It's spontaneous, extemporaneous material. People
Ballet is something for which you need so much control and composure. And there's an element to acting that is the complete opposite. You have to be able to completely let go and reveal everything about yourself. It's about being very vulnerable.
For acting, if there's a strong female role and there is that action element, for me that just feels really natural.
I think I'm good with actors. I like directing actors. I also like to show up and just do an acting gig. Where I'm just a hired gun, I don't have to have an opinion on anything.I never got involved in all this stuff because I wanted to control stuff; I got involved in writing and producing because I wasn't getting interesting acting gigs. In a way I'm grateful that I didn't get interesting roles, because it made me pull my finger out and do some work.
I wasn't really driven to be an actor or anything, but in college I decided to study acting, much to my parents' disappointment. I attended Mason Gross School of the Arts at Rutgers where Bill Esper was, and that is where I really got hooked on the art of acting, and, almost, the chemistry of acting.
Mindful grief means mourning and letting go of the past without expectation, fear, censure, blame, shame, control and so forth. Without such mindful grief, neither past nor person can be laid to rest.
I wish I could describe anything I do as conscious or strategized. To be honest, in acting, you have so little control. The only control you have is if you're lucky enough to be in a position, which is not very often, in which you have choice. It's about what choices you make, and for me, it's entirely instinctive.
The reason I got into acting was not to explore myself. I was a reader, I didn't care about acting. I got into it in college, but I had no interest really in that, in getting up in front of anybody.
Right before I got 'Sons of Anarchy,' I actually quit acting for 18 months and didn't read a single script, and I wrote a film. I felt like I needed to do something that I had control over, as an artist, and also just do something where I felt like I had some control over my life, as just a human, out in the world.
Right before I got 'Sons of Anarchy,' I actually quit acting for 18 months and didnt read a single script, and I wrote a film. I felt like I needed to do something that I had control over, as an artist, and also just do something where I felt like I had some control over my life, as just a human, out in the world.
I remember once acting really cool on a bus with this girl named Stephanie. When I got home, I realized that I had a really big zit on my forehead. If you have acne problems, you really shouldn't be acting like Don Juan.
I enjoy directing, but I really like acting more. The idea of controlling the whole thing is not something that really appeals to me as much as being able to just control the world of the character that I'm dealing with.
I was going to be in an acting school in London, and then I promptly got thrown out of an acting school in London. Well, it wasn't that I got thrown out as much as I was not invited back, which is the same thing, just more polite.
Acting is really scary, but it's also challenging, fun, hard work. There's always an element of improvisation with every actor, even when something is really scripted.
I thought that that was an effort to inject a popular element, a democratic element into the selection of a person who, once he is selected and confirmed, is beyond electoral control.
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