A Quote by Jonathan Bailey
When I left school I did far more theatre than anything else and it was exciting.
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I was always far more into anything creative that called for a bit of active participation, like reading aloud in class. Then, having left school shortly after my GCSEs, I auditioned for the National Youth Theatre of Wales and the National Youth Theatre of Great Britain as well as the Welsh National Youth Opera. I ended up getting into all three.
Theatre can entertain, provoke, challenge, investigate, comfort and educate. It's arrogant of a playwright to think education is more important than anything else. Writing for the theatre does not give you permission to lecture, hector or bore.
I did some acting in high school and then a little more in college, and it just was the thing that I felt that I wanted to do more than anything else. And then I was fortunate enough to audition for and get into Yale Drama School right after college, and I spent three years there.
Some people may complicate it for you, but the formula is simple: Love God more than anything else. More than your ego. More than your money. More than your desires...More than your sleep at dawn. Love God more than anything else, and submission comes natural.
Love God more than anything else, and all goodness will follow.
I wanted to write rather than do anything else. But 'cause I left school at 15, I didn't know what a noun was, still don't.
I did some theatre straight out of school, and it wasn't anything spectacular at all.
I liked Columbia, but it was like high school in that there was this big social world that I was not part of. I existed on the side, far away. That might be temperamental, my own fear of large groups, more than anything else. But I had a handful of professors who meant a lot to me.
I left my theatre the Loose Moose almost twenty years ago, and I hardly ever go back. Sometimes I go back to do a Mask class. They're doing more of this than I was doing when I left. Often it's the same improvisers but they're older. And now, they don't care if the theatre's full or not.
By far the most important factor in the success or failure of any school, far more important than tests or standards or business-model methods of accountability, is simply attracting the best-educated, most exciting young people into urban schools and keeping them there.
When I was about 16, I did a Neil LaBute play called 'A Gaggle of Saints' from a collection of plays called 'Bash' - very violent story about a young Mormon who goes to Central Park with his friend and beats up a gay guy. But it was the first thing I had ever done, and I thought, "God, this is fun! This is far more fun than anything else I've been doing at school. I want to stick with it."
I was a terrible student in high school and the thing that the auto accident did - and it happened just as I graduated, so I was at this sort of crossroads - but it made me apply myself more, because I realized more than anything else what a thin thread we hang on in life, and I really wanted to make something out of my life.
I decided to have a regular childhood and not pursue [acting] until I left school, although I wrote plays, directed plays, and got involved in theatre at school. When I left school I decided that's that I was going to pursue and gave it a crack.
The real world has always been far more exciting and funny and dangerous to me than anything somebody could conjure up sitting in front of a computer.
I'm a housewife: I spend far more time on housework than anything else.
Hip-hop has survived as a sonic practice more than anything else. It's an approach to music-making based in sampling and rhyming over beats, that's proven far more versatile than its detractors thought it would.
I feel that by writing I am doing what is far more necessary than anything else.
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