A Quote by Jonathan Banks

Thank God for theater and film and television and my very, very, very lucky life. — © Jonathan Banks
Thank God for theater and film and television and my very, very, very lucky life.
Thank God for television. I've been able to consistently work in television even when people say, 'Oh my God, I haven't seen you since this film or that project.' At least I'm working. It's very difficult to get that next movie role. I'm grateful to have the television world accept me.
In musical theater you have to be very big and very animated, while film and television are more toned down.
I see film roles as lovely presents that come along now and again. I feel really lucky and say thank you very much. And if they fly me to L.A., I think, 'God, I must really be doing well.' I've worked with De Niro and Brando and Pacino, and that's made me feel very lucky. But the films have never meant a lot to me.
Roles came to me. I was very, very lucky in that respect. Great directors, great writers, great producers - they saw something in me that they wanted for their picture or their play or whatever it was, whether it was Edward Albee or whether it was - or Peter Hall, directors. They would come to me, thank God. I was lucky. Lucky, lucky, lucky.
I didn't want to do film or commercials or television. That was cheap. That was selling out. I was the classic liberal, left-wing, 'Theater is going to change the world' kind of person. You know, very, very boring.
Variety is very, very good. Going from medium to medium, if you get the chance to do it, from theater to television to film, which are all distinctly different, keeps me sharp.
I think theater is very much my natural home. But the truth is that the older I've got, and the more I've written film and television, I find it incredibly hard to write theater.
That makes entertaining television. That is the circus of American Idol . We go for the very, very best and the very, very worst. It's the boring people that we don't want to see on television.
Variety is very, very good. Going from medium to medium, if you get the chance to do it, from theater to television to film, which are all distinctly different, keeps me sharp. What works in one doesn't work in the other, and you have to be looking for the truth of the performance, whatever way that medium might demand.
Unless you have been very, very lucky, you have undoubtedly experienced events in your life that have made you cry. So unless you have been very, very lucky, you know that a good, long session of weeping can often make you feel better, even if your circumstances have not changed one bit.
I went to the University of Georgia for a year before I left, and then I went to live with Eileen Ford in New York for the modeling agency. I thank god I could do that because all the other kids were getting jobs doing other things, and when I got to New York, I was very blessed. I didn't have to stop and be a waitress. I started making money at a very young age and was just very lucky.
I did not grow up watching much TV and film. I had a very, very, very, very, very, very church family, and a lot of, like, secular stuff was not around my house.
I try very hard to thank my lucky stars and keep it all in proportion and perspective, but it can be very tiring having a smiley face all day.
In Mexico, theater is very underground, so if you're a theater actor it's very difficult to make a living. But it's also a very beautiful pathway to knowledge and to an open education.
I started off in theater; I did exclusively theater for four or five years. In the last few years, television has come along but I can still make film. I feel very privileged that I can move between them.
In Mexico, theater is very underground, so if youre a theater actor its very difficult to make a living. But its also a very beautiful pathway to knowledge and to an open education.
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