A Quote by Jonathan Banks
From the time I could visually perceive film or TV, I was just enthralled by it. I thought it was the most wonderful thing in the world.
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I've always thought that the President could do so much here to help change images. If the President would go into a public bathroom in the Capitol, and have the TV cameras film him cleaning the toilets and saying 'Why not? Somebody's got to do it!' then that would do so much for the morale of the people who do the wonderful job of keeping the toilets clean. I mean, it is a wonderful thing that they're doing.
When I was kid, I remember playing 'Vogue' by Madonna over and over and over again. And ah, you know, something about the beat was really cool, and Madonna, visually, was on TV all the time and I thought she was just so beautiful.
The twinkling of an eye. That is the most wonderful expression. I've thought from time to time it was the best thing in life, that little incandescence you see in people when the charm of a thing strikes them, or the humor of it. 'The light of the eyes rejoiceth the heart.' That's a fact.
Jeffré [Phillips] is the most wonderful guy in the world. He has the most wonderful heart, he's a beautiful human being, and I just simply adore him. It's so interesting how you have to switch your thoughts and your feelings when you're working together as a business partner with your best friend and, all of a sudden, love enters the picture. It's such a beautiful thing, but at the same time, you're trying to decide, "Where do I place this?"
Sometimes you can do a TV show on a subject you just can't do in film. Either it's too long or studios will perceive it as not being commercial.
Clapton asked my brother to play on his record. I thought that was the most wonderful thing in the world.
You know, the technology was at the right place for us to build this world. The most difficult thing about doing The Croods was no doubt the building of the world. Every single thing in this film is organic. Organic things are tough. Very very labour intensive. And we have no man-made structures. You could argue that everything in this film is really an exterior. Even the interiors of the cave are exteriors. So building this world was the biggest thing of all, and the technology was there to do it.
I always wanted to make this film or another film. I thought the worst thing you could do was to react to Slumdog's success in some way. I thought it would be really foolish.
In my late teens and early twenties, I thought having children was possibly the most irresponsible thing you could do because I thought that the world was a dreadful place; I thought the sooner we all got off the planet, the better.
I feel like there's a lot of experience I have from doing TV animation that would be especially useful doing an animated film in terms of some efficiencies of the process that are necessary for TV, just because you have to crank out material every week, that could be applied to film.
The secret to all drama, film, TV, or books - the thing that people respond to most, and the thing I find myself as a viewer feeling most interested in, is the idea of change.
It was a period when live TV was just starting and getting popular and they took it seriously too. Not so much like TV now. They did Hemingway and Faulkner - and they’re all wonderful artists and it just was very creative at that time.
I believe that the major operating ethic in American society right now, the most universal want and need is to be on TV. I've been on TV. I could be on TV all the time if I wanted to. But most people will never get on TV. It has to be a real breakthrough for them. And trouble is, people will do almost anything to get on it. You know, confess to crimes they haven't committed. You don't exist unless you're on TV. Yeah, it's a validation process.
Um, 'Soul Food'... Another wonderful little movie that could. Here's a film that, I think our budget was maybe $6 million. We shot it in Chicago in six weeks. I was so proud of the film, because it showed America that an African-American film about family could sell, could do well, could cross over and have true meaning.
I watched the Portuguese TV anchors talking about what was happening all over the world and I just thought they were so knowledgeable and the most interesting and incredible people in the world.
The first thing I say when people ask what's the difference [between doing TV and film], is that film has an ending and TV doesn't. When I write a film, all I think about is where the thing ends and how to get the audience there. And in television, it can't end. You need the audience to return the next week. It kind of shifts the drive of the story. But I find that more as a writer than as a director.
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