A Quote by Jonathan Blow
What's interesting to me is that in terms of people who I feel are getting what my game is about - and here I'm not even talking about what the elements of the story mean, like, whatever symbolism and metaphors and things are in there. But even the structure of the game, like, there's a fundamental structure and reasons in the way things are laid out, and parts of the game that are meant to draw people's attention to certain things, regardless of what's contained in that structure. And what's interesting to me is that some people get that, and some people don't.
Related Quotes
Since the last tour I have done a lot of extensive travel to Iraq, Kuwait, Siberia, South Korea and other places and picked up some hopefully interesting stories. We are living in interesting times and as bad as things are, I draw considerable inspiration from some of the things I'm seeing and people I'm meeting. I'm looking forward to getting out on the road and talking about it all.
I attempt to create a world that hypnotizes me as I make it. I hope others can get lost in it in the same way, but to be honest, I don't care that much. It isn't like a basketball player is out on the court hoping that people like the game of basketball as the game goes on. If people don't see it, they don't see it. It is a fragile thing and most people recognize that and respect it. Even if for whatever reason, they don't like the painting.
It's funny. Some people remember that a lot more than I do. I remember certain parts of it, and if everybody who mentioned that to me had been to the game who said they were at the game, there'd be 800,000 people at that game, I think.
We're sitting in here, and I'm supposed to be the franchise player, and we in here talking about practice. I mean, listen, we're talking about practice, not a game, not a game, not a game, we talking about practice. Not a game. Not, not... Not the game that I go out there and die for and play every game like it's my last. Not the game, but we're talking about practice, man. I mean, how silly is that?.. And we talking about practice. I know I supposed to be there. I know I'm supposed to lead by example... I know that... And I'm not... I'm not shoving it aside, you know, like it don't mean anything. I know it's important, I do. I honestly do... But we're talking about practice man. What are we talking about? Practice? We're talking about practice, man.
Early on, I had to structure my ideas of success around things like, 'Can I go back and listen to the record months or years after I made it and still get some enjoyment out of it?' Or 'Have I said what I wanted to say on this album? Did it connect with people on a personal level, even if it's a small number of people?'
Baseball is actually interesting, I don't find me to be that interesting. But I am realistic enough to understand it's not about me, it's about the fact that I'm speaking for the game and people care so deeply about the game that they're watching to make sure that you do the right thing. And I feel a real responsibility to try to do the right thing as a result.
I'm used to structure, and the relationship I have with my mom, from a military standpoint, is all about structure. There's a certain way of doing things. My mom knows how to focus on different situations. What I learned from her helps me out every night I play.
Live action writers will give you a structure, but who the hell is talking about structure? Animation is closer to jazz than some kind of classical stage structure.
When people say, well, they disapprove, I'd like to know what the specifics are, because sometimes - and the president [Barack Obama] has admitted this - they may not feel like he's really explaining and understanding the emotion behind some of these fears [about Iran]. And that's a perfectly legitimate question for people to ask. But if you look at the results of where we are, I think there are some things I agree with and some things I don't agree with, and I think that's absolutely fair game.
If I can't practice, I can't practice. It is as simple as that. I ain't about that at all. It's easy to sum it up if you're just talking about practice. We're sitting here, and I'm supposed to be the franchise player, and we're talking about practice. I mean listen, we're sitting here talking about practice, not a game, not a game, not a game, but we're talking about practice. Not the game that I go out there and die for and play every game like it's my last, but we're talking about practice man. How silly is that?
People talk about players who should get more attention, but things like that have never bothered me. If I just play my game, walk out the back door without anybody seeing me, I'm fine with that.
I think photography is so hard. To be working in video and photography the past 20 years - because I was doing it in high school - you're dealing with mediums that change culture. The way they are distributed, disseminated - it's changed so dramatically. One of the things I always like to do is look at the structure of something and detach myself from the structure and figure out how to slightly alter it. So if the structure itself is constantly liquidated, it just really is difficult for me to really even know what to think of Instagram.
Paul Riser tells it in an interesting way; he dissects it and tells the structure, you know, 'you don't mention that part here.' But that's what's interesting about it and the people who are absent are interesting too.
I would never be essentialist about sexuality and structure, but I do think there's a way in which this male-arc has been talked about as the only structure, and kind of a stand-in for even the word structure, instead of looking at other forms.
If it's possible, I will have some noodles in the morning and start talking to people, start to think about a few things in my head - the project or a few ideas which are not finished or if there are possible directions and what will lead into another game. It's always like setting up some kind of game you can continuously play.
You could draw certain parallels between the structure of the Pompidou and the structure of the rocket-launching facilities at Cape Canaveral. They might not have been thinking about it, but I think there is some kind of unconscious affinity there.
Related Authors
Barack Obama Quotes
American
President
Benjamin Franklin Quotes
American
Politician
Cassandra Clare Quotes
American
Author
Deepak Chopra Quotes
American
Speaker
Donald Trump Quotes
American
President
Frederick Lenz Quotes
American
Author
George W. Bush Quotes
American
President
Henry David Thoreau Quotes
American
Author
Hillary Clinton Quotes
American
Politician
Mark Twain Quotes
American
Writer
Noam Chomsky Quotes
American
Activist
Ralph Waldo Emerson Quotes
American
Philosopher
Rick Riordan Quotes
American
Author
Rush Limbaugh Quotes
American
Entertainer
Sherrilyn Kenyon Quotes
American
Writer
Thomas Jefferson Quotes
American
President