As a film director and as film actors, you get used to a certain rhythm that's slow. But with TV, it's hurry, hurry, hurry, hurry, hurry. It's a different pace.
As a film director and as film actors, you get used to a certain rhythm that's slow. But with TV, it's hurry, hurry, hurry, hurry, hurry. It's a different pace. So, it's about adjusting to the pace. It's not meant for everybody.
There are a couple of stories that I have in my head for which I feel like I should collaborate with people. So yes, if I would like to direct, I would also like to write whatever I direct.
When I work, I'm the actor. I'm going to do my job. I'm not going to direct the movie. If I wanted to direct it, I would direct it. I wanted J.J. Abrams to direct Mission: Impossible. I work with people that I respect. I expect them to do their jobs, and I will do mine. And I am there as a producer to help in any way, but no one makes a movie by themselves. It's a collaboration.
I am incapable of directing a film like 'Agneenath.' I can do only what I am good at, so I would have been the worst choice to direct it. It has aggression, action and an inherent violence in it - things I am not capable of directing in my films.
Let me put it this way: I would like to direct a successful film. An unsuccessful film I would not like to direct. Films are very difficult.
I write a lot too, so I would like to write or direct in the future if I can.
I will direct films be it my own productions or outside. It's not like I am here only to direct Salman.
I would like to direct. I am also happy helping other directors realise their vision. I am happy being a cog in a wheel.
I would like to remain an actress, but am very anxious to direct and produce.
I can't imagine bringing in somebody else to direct my show. Wouldn't that be funny, if next season I had, like, Michael Bay come in and direct 'Better Things'? I wonder what that would be like?
You have to separate artistic ability from ethnic origin. Not only am I not black, I am also not a woman, therefore how can I direct women? I am also only 42, therefore how can I direct someone who's 60? So you see where the argument ends up? If you take it to its logical conclusion, I would have to walk around and point a video camera at myself. And who the hell is interested in that?
We're often in a hurry to finish. Or in a hurry to close a sale. What happens when we adopt the posture of being in a hurry to be generous? With resources or insight or access or kindness... It's an interesting sort of impatience.
I've never been a puppeteer, I conceive and I write and I design and I direct. And not just puppets. I direct actors, I direct dancers, I direct singers, I direct films. I also direct puppeteers. I'm really a theatre maker, but there's not a word for that.
A lot of the time in my recurring dreams, before I was diagnosed, iconic people would either be good or evil figures. I remember dreaming really basic stuff like trying to navigate the London underground, but then Paul Newman would be the only one who would direct me to the right trains. And I'm trying to remember who would direct me to the wrong ones.
I don't like where I'm going and I don't like where I've been. Why am I in a hurry?