A Quote by Jonathan Brandis
I do remember that I was sitting in the make-up chair before the shoots for a commercial or film or other, and I thought: Sometime soon they are going to make a close-up of me and millions of people can see how many pimples I've got on my cheeks.
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I think a lot of people go into filmmaking thinking, "How can I make a career?" And so when they make their first film, they make it thinking, "Well, this'll be the one that gets me to the place where I can make the second film the way I want to make it, and that'll get me to the place where I can make $100 million on the third film." And I thought, "Well, if I put sustainability at the bottom of my priority list, then what opportunities is that going to free me up to pursue?" And that's what I've always done.
First, there has been a lot of interest in The Drive-in, but, alas, it hasn't actually come to fruition. Maybe soon. Don really got Bubba and I didn't think it could be a film. I thought it was too odd to make it to film. He asked me to do the screenplay, but I declined. I didn't see that it could be a screenplay but he wrote one and proved me wrong. He was always considerate about what I thought about the film and the story's presentation, but in the end, he's the director and he had to make decisions. All good ones.
I have three older sisters who, when we were children, used to hold me down on a bad day and put make-up all over me, so I've had an aversion to it all my life and hate sitting down in the make-up chair.
I do what most women do. I meet someone and some of it's right, maybe he looks right, or has the right job, or the right background, and, instead of sitting back and waiting for him to reveal his other bits, I make them up. I decide how he thinks, how he's going to treat me, and, sure enough, every time I conclude that this time he's definitely my perfect man, and all of a sudden, well, not so suddenly perhaps, usually around six months after we've split up, I see that he wasn't the person I thought he was at all.
I had never heard of Meghan before. I was beautifully surprised when I walked into that room and saw her, and there she was, sitting there. I thought, 'I am really going to have to up my game here, sit down, and make sure I've got a good chat.'
When critics or people judge, I think it's harder to make a commercial, pop movie than it is to make a pretentious art film. It's harder to reach millions of people and satisfy them and make them happy. These films kind of get ghettoized, this genre because there are so many big, big movies that are such big hits, but aren't any good. The audiences, they're not judging the style of the director, or the execution of the film. They're just looking to be entertained. They want to escape from their reality, and that's why we make movies, to get people to escape from the realities.
My partner, Jeff Ullrich, and I always thought Earwolf was going to be big. There were a couple of studies before we launched saying podcasts were going to really grow. But I remember so many conversations at the beginning where people would say, 'How are you going to make money with this?'
You are spending millions and millions of dollars of other peoples money when you make a movie. You have to at least approach it in a way where you can see how you can make that money back for the people who are investing.
I gladly, I voluntarily gave up the kind of commercial film career I had going as soon as I had enough money to finance my own films. I didn't make that money necessarily from the film business, but I eventually made a lot of money and that's what I do. Of course, I consider myself unbelievably fortunate, and I'm pretty content with my life.
I got so anxious sitting in the make-up chair for hours with my face covered. I had my doctor write a prescription for valium. I couldn't have done it without the pill.
My dream was to become a rec league coach. I love basketball so much, I love playing it, I just never thought I'd make it to college, NBA, or be standing up here today. It is a surreal feeling. So many people doubted me and motivated me. I failed so many times and got back up. I got through the toughest times with my family, but I'm still standing.
Some time in the night I got up, tiptoed to my window, and looked out at my doghouse. It looked so lonely and empty sitting there in the moonlight. I could see that the door was slightly ajar. I thought of the many times I had lain in my bed and listened to the squeaking of the door as my dogs went in and out. I didn't know I was crying until I felt the tears roll down my cheeks.
I can't possibly be objective about myself. I can look at my other colleagues work, and they are all tremendous, really. To see their faces, to see their expressions, to see how they were sitting in their chair uncomfortably, and start crying even, is a great testament to what film can achieve.
Wherever I went and spoke about menstrual hygiene, I was beaten up by people. I used to cover my cheeks with both my hands whenever I went to speak on the subject, so how could I ever imagine that someone would make a film on such a topic?
Everything in life is made up...You make up that you are happy. You make up that you are sad. You make up that you are in love. If you don't make up your own life, who's going to make it up for you? It's bad enough when you die and everybody can make up their own stories about you. —Mr. Hooft
People who just wanted to make it work and knew it was going to be a real challenge. We were on the beach the first day and Donald [Sutherland] and I are playing best friends our whole lives. We met each other for 10 seconds the night before and we're sitting on a beach lining up a shot that we shoot a few minutes later, never having had a conversation with each other and then end up going skinny dipping in the Pacific Ocean buck-ass naked, not knowing who the other person is.
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