A Quote by Jonathan Coe
I had no sense of any reputation that What a Carve Up! might acquire - at the time I didnt even have a publisher, so my main worry was whether it was even going to see the light of day or not.
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A lot of people have a lot of things going on in their life. You'll be walking past ten people in the middle of the day and not even notice, but someone might have a family member that died, or someone might be going through a hard time. Sometimes you're the only person that someone might see that lifts them up.
What you want to acquire, you should dare to acquire by any means. What you want to see, even though it is with difficulty, you should see. You should not let it pass, thinking there will be another chance to see it or acquire it. It is quite unusual to have a second chance to materialize your desire.
My perspective is so much different now, being 41. The main difference between now and then is just realizing that your time will come to an end - and that it might not be far away. You see your face change, see the gray hairs sprouting up. When you're 24, you worry about the day you'll turn 40.
I'm definitely a night owl. I get going about the time my wife crashes and goes to bed. And in some sense, I've had to learn to be more of a cat napper in recent years because Perl development, Perl design and development, has become a worldwide phenomenon - not just mailing lists, but RSC channels, Twitter even. This all happens 24 hours a day. And people come up with questions at any time of the day or night.
Any one who has common sense will remember that the bewilderments of the eyes are of two kinds, and arise from two causes, either from coming out of the light or from going into the light, which is true of the mind's eye, quite as much as of the bodily eye; and he who remembers this when he sees any one whose vision is perplexed and weak, will not be too ready to laugh; he will first ask whether that soul of man has come out of the brighter light, and is unable to see because unaccustomed to the dark, or having turned from darkness to the day is dazzled by excess of light.
As I said, I had no publisher for What a Carve Up! while I was writing it, so all we had to live off was my wife's money and little bits I was picking up for journalism.
Don't worry about what you're writing or whether it's good or even whether it makes sense.
God wants your ministry to flow from the realization that you are a beloved child of God. In that place you don’t worry too much about how people see you. You don’t worry too much about whether they’re nice or mean. You don’t even worry about whether they love you or hate you. You don’t worry because you’re simply going to love them and love Him. This comes from knowing who He is and what He thinks of you. This is what it means to grasp you are a child of God.
"It is light that reveals, light that obscures, light that communicates. It is light I "listen" to. The light late in the day has a distinct quality, as it fades toward the darkness of evening. After sunset there is a gentle leaving of the light, the air begins to still, and a quiet descends. I see magic in the quiet light of dusk. I feel quiet, yet intense energy in the natural elements of our habitat. A sense of magic prevails. A sense of mystery. It is a time for contemplation, for listening - a time for making photographs. "
Meditation has been a big change for me in a super-positive way. I see the result and strength and clarity - even my creativity is different and more connected. It might be 10 minutes a day; it might be 20 minutes a day. But every day in this crazy world, it's a sense of peace and purpose.
When I'm working on something, even when I don't know exactly where it's going, I have a sense of what I'd like to make. So maybe doing things right is following that sense even when I stop trusting myself. The rightness is in the process, even if it doesn't match up with my plans.
Even when I was young, I had a reputation for it. I would play with my friends outside, and I was doing all the things you see now a long time ago. I've always done the flip-flap, even when I was young. Stepovers, dummies - I love to dribble. If you speak with my friends, they will say I'm the same Riyad.
When you make music, and even if it's commercially successful, it doesn't mean that it's going to hold up. It takes time to sort of take stock of what you've done and whether it's got legs and whether it's going to really have a place.
After the Oscar for 'Shampoo,' I had a sense, even as I was walking up to get it, that this was the height of where I was going to go as an actress. And I felt that now was the time, if I wanted a longer life in the arts, that I had to jump from acting to directing.
This was the first time a woman in Dallas had won public office of any kind - even women questioned whether or not I was qualified, whether or not I could take it.
I never wake up wondering whether the day is going to be a meaningful one or whether my labors are gonna be worthwhile. They may be futile, but it doesn't mean they're not important, in a moral sense and in an historical sense.
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