A Quote by Jonathan Coe

Ah, well, I have no talent for nonfiction, that's my problem. — © Jonathan Coe
Ah, well, I have no talent for nonfiction, that's my problem.
We still go to nonfiction for content. And if it's well-written, that's a bonus. But we don't often talk about the nonfiction work of art. That's what I'm very interested in.
When you're researching things that have happened, the clear narrative arc is not there already. This is the problem of writing nonfiction for me - writing nonfiction which is about serious subjects and has serious political and social points to make, yet which is meant to be popular to a degree - what happens when the facts don't fit a convenient narrative arc? I guess that for a lot of nonfiction writers that is a central challenge.
I started writing nonfiction because nonfiction is well-suited to subjects that, if you wrote them as fiction, people would say, "I don't believe this. This is a little outlandish".
For a while I just couldn't imagine that there was a place for me in nonfiction. I looked around at what we were calling nonfiction and I thought, "Maybe you do have to go to poetry in order to do this other weird thing in nonfiction."
I'm not a poet, but I was in the poetry program. And I'm also not much of a nonfiction writer, at least not in the standard sense of nonfiction, nor especially in the way we were thinking about nonfiction back then, in the late 90s.
But as de old folk always say, Ah'm born but Ah ain't dead. No tellin' whut Ah'm liable tuh do yet.
Ah, nut-brown partridges! Ah, brilliant pheasants! And ah, ye poachers!--'Tis no sport for peasants.
As I started to read nonfiction in the mid '70s, I discovered, holy cow, there was a lot of imaginative nonfiction. Not the kind where people use composite characters and invented quotes. I hate that kind of nonfiction. But imaginative in the sense that good writing and unexpected structure and vivid reporting could be combined with presenting facts.
Ah suppose man, ah'm too much ay a perfectionist, ken? It's likesay, if things go a bit dodgy, ah jist cannae be bothered, y'know.
I love nonfiction the most. It's hard to find a good nonfiction story, and that's why I'm not as prolific, I guess, as a lot of people. They're hard to find. I love the nonfiction writer Ben Macintyre. I think he's terrific at the form of telling a story in a cinematic way.
For me, a memoir is nonfiction and nonfiction has to be absolutely true.
Ah, happy hills! ah, pleasing shade! Ah, fields beloved in vain! Where once my careless childhood stray'd, A stranger yet to pain! I feel the gales that from ye blow A momentary bliss bestow.
From the day Microsoft was started, the only constraint to our growth has been attracting ah, more great programmers, very smart, committed, ah, people. And so we're always on... on the look for ah, that kind of person.
I read nonfiction. There's very little fiction that I enjoy enough to spend my time reading. I am generally a nonfiction guy.
When an English man speaks well, for example now, and this is another way of putting us down, they say he's "eloquent" you see. "Oh, eloquent chap they are!" An Irish person speak well, they say, "Ah, you have the gift of the gab." "Ah, you kissed the blarney stone." You see, all of this putting us down.
Because the kind of nonfiction I write has a plot, the events and transactions that make up a life, nonfiction offers me a break from plotting.
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