A Quote by Jonathan Coe
Writers never feel comfortable having labels attached to them, however accurate they are.
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Years of imprisoning and beheading writers never succeeded in shutting them out. However, placing them in the heart of a market and rewarding them with a lot of commercial success, has.
Take your time, however long the book needs. I've seen a lot of promising careers go into decline because writers succumbed to the pressure to write faster than was comfortable for them or the story.
It's not a bad thing for a writer not to feel at home. Writers - we're much more comfortable at parties standing in the corner watching everybody else having a good time than we are mingling.
Whatever labels may be attached to the fifteen charges brought against me, they all arise from my having been a member of the Communist Party and from my activities as a member.
It's important for the writers of the presidential daily brief to feel comfortable that the documents will never be politicized and/or unnecessarily exposed for public purview.
There's never been a great fight without the writers taking on and finding an identity for it. That's probably what has happened boxing. Writers are not writing about us big boys anymore and I tell you right, however you feel, take something, find it, and use it because American needs something to read about.
I've never been very attached to genre labels and never set out intentionally to write historic fiction. Besides, what you consider historic depends on how far back your memory extends.
If you don't feel challenged, it's because you're not doing enough. Ballet should never feel comfortable. Comfortable is lazy! If you're comfortable when you dance, you're not pushing yourself hard enough. 100 % is not enough. You have to give 200%. One tendu takes years of hard work and will never be perfect. Everything in ballet is a challenge.
Most writers, I'm afraid, live very boring lives sitting in front of a screen. However, having said that: every writer puts a bit of themselves into the characters to bring them alive.
I feel comfortable tweeting things that I would never feel comfortable saying in a real life conversation, or even in other places on the internet.
As a director, your job can range from having to lean on someone to get a performance out of them, to someone being so built for the part that all you have to do is make them feel confident and comfortable and assured of what they're actually doing, and you just wind them up and watch them go.
Usually, what happens with women that aren't comfortable with fighting is they're afraid of getting hurt, or hurting someone. All it usually takes to get them going is to make them feel safe, and make them feel like they look cool while doing it. And once they get a little more comfortable, they're gung ho!
From our point of view, we're just curious, we're poking around and having fun. If it's science, if it's accurate, if it's not accurate, we did the best we can to keep things clean and understandable, but we're just having fun, so sue us if we got something wrong.
I never wear sneakers. I don't feel comfortable in them.
I never sat down and wrote, but what I do is kind of act as a dramaturge for the piece. I am sitting with the writers. I'm discussing ideas with the writers and concepts. We're debating and having a dialectic where we are taking a lot of different ideas and trying to synthesize them into the right idea. I'm very much a part of that process. That's my job as the director.
I'm still learning to be the best actor I can be, and I have a long way to go to get to the level I would like to be at. My focus is still 100% acting acting acting. Once I hit a point where I feel very comfortable as an actor - because you can never stop learning, I don't care how comfortable you get, you can never stop learning - but once I hit a point where I can get that comfort level of taking on the task of directing and having the confidence in myself to have people's respect when I give them direction, that's definitely something I want to do someday.
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