A Quote by Jonathan Coe

But I have always - ever since The Accidental Woman - written novels about individuals attempting to make choices in the context of situations over which they have no control.
The characters in my novels, from the very first one, are always on some quixotic effort of attempting to control something that is uncontrollable - some element of the world that is essentially random and out of control.
I don't harp on the negative because if you do, then there's no progression. There's no forward movement. You got to always look on the bright side of things, and we are in control. Like, you have control over the choices you make.
It's particularly important for a young woman to be in control of her image - to a certain extent. I mean, there's only so much you can do, because people take photos with you and then all of a sudden they pop up all over the place, they're completely out of context and you have no control over how they're used.
I had been attempting novels since I was 14 but always ran out of steam. High hopes, poor craftsmanship.
I wish I could describe anything I do as conscious or strategized. To be honest, in acting, you have so little control. The only control you have is if you're lucky enough to be in a position, which is not very often, in which you have choice. It's about what choices you make, and for me, it's entirely instinctive.
I entered a poem in a poetry contest around 1987, and the poem won and I received $1,000 for it. That made me realize that maybe what I was writing was worth reading to people. After that, for some reason, I turned to novels and I've written mainly novels ever since.
I've come to learn that the choices I labor over and go back and forth about and ask a million people for their opinions and make lists about those are always the wrong choices.
I've come to learn that the choices I labor over and go back and forth about and ask a million people for their opinions and make lists about... those are always the wrong choices.
Don't think about what the market's going to do; you have absolutely no control over that. Think about what you're going to do if it gets there. In particular, you should spend no time at all thinking about those rosy scenarios in which the market goes your way, since in those situations, there's nothing more for you to do. Focus instead on those things you want least to happen and on what your response will be.
What leads us astray is confusing more choices with more control. Because it is not clear that the more choices you have the more in control you feel. We have more choices than we've ever had before.
The question has been asked, 'What is a woman?' A woman is a person who makes choices. A woman is a dreamer. A woman is a planner. A woman is a maker, and a molder. A woman is a person who makes choices. A woman builds bridges. A woman makes children and makes cars. A woman writes poetry and songs. A woman is a person who makes choices.
Wise choices can put us in control of situations where we might otherwise be tempted to compromise our principles. We cannot control all that happens to us; however, we can choose to be in control of our responses.
I'm attempting to broaden my novels' scope through landscape and weather, leaves falling off trees, overnight storms, timeless elements which, irrespective of human endeavour, have always been there and, as long as there is life and snow, will always be there.
I think there's a false division people sometimes make in describing literary novels, where there are people who write systems novels, or novels of ideas, and there are people who write about emotional things in which the movement is character driven. But no good novels are divisible in that way.
I always think that today is the best day that there's ever been. The song that I'm working on is always the best song I've ever written. The woman I'm looking at is the most incomprehensibly beautiful woman I've ever seen. These dogs that I have now are, by far, the best dogs I've ever had - although, so were the last pair of dogs I had.
In life our first job is this, to divide and distinguish things into two categories: externals I cannot control, but the choices I make with regard to them I do control. Where will I find good and bad? In me, in my choices.
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