A Quote by Jonathan Culler

The poem is a structure of signifiers which absorbs and reconstitutes the signified. — © Jonathan Culler
The poem is a structure of signifiers which absorbs and reconstitutes the signified.

Quote Topics

Quote Author

Meaning is produced not only by the relationship between the signifier and the signified but also, crucially, by the position of the signifiers in relation to other signifiers.
The task is to investigate speech sounds in relation to the meanings with which they are invested, i.e., sounds viewed as signifiers, and above all to throw light on the structure of the relation between sounds and meaning.
A poem employs both the sound and the sense of language, it treats words not just as signifiers but as a plastic medium of artistic expression.
Art has to be incredibly layered. Symbols, signifiers... layers that relate. Combine signifiers with more abstract notions. Push! Vary lines.
Art is not a mirror but an icon. It takes the chaos in which we live and shows us structure and pattern, not the structure of conformity which imprisons but the structure which liberates, sets us free to become growing, mature human beings.
The subject of the poem usually dictates the rhythm or the rhyme and its form. Sometimes, when you finish the poem and you think the poem is finished, the poem says, "You're not finished with me yet," and you have to go back and revise, and you may have another poem altogether. It has its own life to live.
My advice to the reader approaching a poem is to make the mind still and blank. Let the poem speak. This charged quiet mimics the blank space ringing the printed poem, the nothing out of which something takes shape.
In all matters but particularly in architecture, that which is signified is the subject of which we may be speaking and that which gives significance is a demonstration on scientific principles. One who professes himself an architect should be well versed in both directions.
Do not wait for a poem; a poem is too fast for you. Do not wait for the poem; run with the poem and then write the poem.
I think that poetry is an act of celebration, that anytime you're writing a poem, it means that you're celebrating something, even if it's a sad poem, if it's an angry poem, a political poem or anything at all. The fact that you're taking the time and energy to pick up this thing and hold it to the light, and say, "Let's take some time to consider this," means that you've deemed it worthy enough to spend time on - which, in my opinion, is celebrating.
The statement of ideas in a poem may have to do with logic. More profoundly, it may be identified with the emotional progression of the poem, in terms of the music and images, so that the poem is alive throughout. Another, more fundamental statement in poetry, is made through the images themselves those declarations, evocative, exact, and musical, which move through time and are the actions of a poem.
What I try to do is to go into a poem - and one writes them, of course, poem by poem - to go into each poem, first of all without having any sense whatsoever of where it's going to end up.
What I try to do is to go into a poem - and one writes them, of course, poem by poem - to go into each poem, first of all without having any sense whatsoever of where it's going to end up
Literature is that which denounces and slashes apart the repressing machine at the level of the signified.
I would never be essentialist about sexuality and structure, but I do think there's a way in which this male-arc has been talked about as the only structure, and kind of a stand-in for even the word structure, instead of looking at other forms.
A poem is not an expression, nor is it an object. Yet it somewhat partakes of both. What a poem is is never to be known, for which I have learned to be grateful.
This site uses cookies to ensure you get the best experience. More info...
Got it!