Luckily for you, you can close the book The Postman Always Rings Twice and break out of it, and James M. Cain can't. I can't think of any redeeming feature he has, but he's extremely compelling.
The Postman Always Rings Twice that's a book that I think every writer should read - that has to do with technique. But it's also a novel narrated by a guy who has decided by page 11 that he's fallen in love with a woman, and they're going to murder her husband so they can be together. There's nothing remotely likeable about him, but James M. Cain brings you so far into his head that, at a certain point, you have that uncomfortable but also thrilling sensation of seeing things exactly as he sees it.
I love movies like 'The Postman Always Rings Twice' that are based on short novellas.
I was in 'The Postman Always Rings Twice' with Jack Nicholson. That was fun. I think I made, like, $33 or something. I got to miss a whole day of school, and when you're a little kid, that's cool.
Most men have at least one redeeming feature. Finding one for Brother Rike requires a stretch. Is 'big' a redeeming feature?
"The Diagnosis" is by far my most ambitious book. I such great hopes for it... there was so much I wanted to do with the book. I was extremely insecure about it for several years. Just didn't know whether I would finish the book much less for it to come close to what I intended. I think that for any novel you never know exactly how the book is going to turn out...
You shouldn't think of these movies as being 'The Lord of the Rings.' The Lord of the Rings is, and always will be, a wonderful book - one of the greatest ever written. Any films will only ever be an INTERPRETATION of the book. In this case my interpretation.
Lord of the Rings was something I always wanted to do. I read the book when I was about 25, and I was always hoping if it was ever made into a feature film that I would be involved in some way. And then I finally got it, and I was over the moon. It was fantastic news.
If you can't figure out how to make the beginning of your book compelling, you're probably not writing a compelling book.
Cain's an animal, man. Cain's a competitor. I want to spar with Cain because I know if I'm able to hang with him here in the gym, once I get out there in the cage and fight, I mean, I've already gone toe-to-toe with Cain Velasquez, you know?
Well, part of it is the general fascination with the Amish. It's an extremely popular genre and Beverly Lewis just happens to have the market cornered. She is the bestselling author in this genre. We had actually optioned another one of her Amish books, The Redemption of Sarah Cain. We retitled it Saving Sarah Cain and it did extremely well for Lifetime so we pursued more of her novels.
Pakistan will never be able to match the Indian militarily and the effort to do so is taking an immense toll on the society. It's also extremely dangerous with all the weapons development. The two countries have already come close to nuclear confrontation twice and this could get worse. So dealing with the relationship with India is extremely important.
I think the "crime novel" has replaced the sociological novel of the 1930s. I think the progenitor of that tradition is James M. Cain, who in my view is the most neglected writer in American literature.
I do not find in orthodox Christianity one redeeming feature.
I hate to think of a day where a compelling book or a compelling authorial voice would be lost simply because that person doesn't have a Web site. But I think that, to use the Internet in a positive way, to turn people on to reading, is something that authors shouldn't really shy away from necessarily.
Sad to say, multi-tasking is beyond me. I read one book at a time all the way through. If I'm reviewing the book, I have to write the review before I start reading any other book. I especially hate it when the phone rings and interrupts my train of thought.
I am inclined to agree with the Head Master of Eton that pæderastic passions among schoolboys 'do no harm'; further, I think them the only redeeming feature of sexual life at public schools.