A Quote by Jonathan Dimbleby

Until I was 21, I wasn't going into the media. I was a professional show jumper; I was going to have a farm... Then my father died, and it changed my life. I realised I had to have a go at being a journalist to see if I could cut the mustard.
After you've cut back everything else, food is the last to go. I didn't mind putting an extra jumper on if I had food in the fridge. It was the point where I had an extra jumper on and no food in the fridge that I realised things had gone badly wrong.
The first 10 years of my professional life had only to do with running away from my father. He was a wonderful cabinet-maker, and me being the eldest son, I had to take over his shop, his profession and so on and so on. I tried to escape by going to art school and then going on to industrial design and then interior design.
I could see when I was filming '21' that it was going to go a direction I wasn't comfortable with it going.
I've realised that as long as the youth has the ability to use social media, and their voice is there, people can actually cut through the nonsense and see what's really going on.
After my mother died, I learned that she'd had a scholarship to the University of Nebraska, but - in kind of a tradition that females don't do things like that - her father prevented her from going. She always said that she wasn't allowed to go to college, but until she died, I never knew that she'd had this scholarship.
Social media has changed the world forever. We're not going to go backwards. People are not going to accept being poor, accept being excluded anymore.
I didn't know why I was coming to this room. Someone just told me to go to Sam Raimi's office. I knew that I uniquely had the comics version of his job, which was to take Spider-Man and put him into the modern day. But I thought, "Maybe he wants to tell me to cut it out." So I come in, it's in his office, and then Stan Lee comes in, and I'd only ever met Stan as a fan, not as a professional. And then they sit us down on a couch, and roll in an AV cart with a TV on it and go, "We're going to show you the first cut of Spider-Man."
I had the experience of having my grandmother in a nursing home at the end of her life, and had dementia set in with my father. He was in a nursing home with dementia at the end of his life, but it happened for me personally 10 years ago. My father was much older than my mother, so I experienced it as a pretty young person. People's parents die at various ages, but my father died of mortality. He died of being an old person. Illness and stuff happened, but essentially, he was old and he was going to die.
I think faith is the small mustard seed of opportunities every day. For example, 'Am I going to love this person? Am I going to share my faith with this person? Am I going to pray that little prayer?' It really is a daily thing where you seize those little mustard seed opportunities and then see what God does.
I was 'alone' amongst the animal kingdom and I required of myself to see what was truly going on inside me so that my own true potential could step forth. Therefore I died so that heaven could show me who I had become, within that showing me to myself as who I am, what I am going to be doing and where all of you fit into the picture.
When I'm editing, I tend to cut, go back over it, cut, go back over it, cut, so by the time I'm done, even with a cut, I don't have a rough cut and then work on it so much. I have a pretty rigorous cut of the movie that's usually in the range of what the final movie is going to be. It doesn't mean I don't work on it a lot after that, but I get it into a shape so I feel I can really tell what it needs, or at least it's ready to show people.
I changed my major to English literature, which was on the advice of my father. I finally said, "You know, Dad, to heck with it: I'm just going to be an actor. But I'm going to go to school." And he said, "Well, if you're going to go to school, then major in English literature. Those are the tools you are going to be working with as a man who's going to be acting in English, one would assume."
In the 1970s, I bought some cheap horses, then decided that if I was going to be in it, I was going to go big time. So in 2001, Bill Casner, a partner with me in Excel, and I bought a breeding farm, WinStar Farm, together.
Yes it did really. It was very exciting to find that my energy could be directed into something more useful and positive. I was starting to get panicked. I was thinking 'what am I going to do with my life?' I wasn't sure what was going to happen. Then I became crazily obsessed with acting. I suddenly had a work ethic and then everything changed completely for the better because I knew what I wanted to do with my life.
My father had a real short fuse. He had a tough life - had to support his mother and brother at a very young age when his dad's farm collapsed. You could see his suffering, his terrible suffering, living a life that was disappointing and looking for another one. My father was full of terrifying anger.
When my father died, I was 21, and he'd been sick for a few years. He changed during his illness. He kind of softened during it.
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