A Quote by Jonathan Dimbleby

The long, forensic interview really matters. — © Jonathan Dimbleby
The long, forensic interview really matters.
Years ago I read an interview with Paula Fox in which she said that in writing, truth is just as important as story. Reading that interview was the first time I really understood that there's no point in trying to impress people with my cleverness when I can just try to write honestly about what matters most to me.
I'm a nut for these 'crime reality' shows. Things like 'Forensic Files,' 'Forensic Detectives.'
You know, true love really matters, friends really matter, family really matters. Being responsible and disciplined and healthy really matters.
This is really funny, but we did a study of the occupations of female characters on TV, and there are so many female forensic scientists on TV because of all the CSI shows and Bones and whatever. I don't have to lobby anybody to add more female forensic scientists as role models. There's plenty.In real life, the people going into that field now are something like two-thirds women.
How can quality crime fiction not be produced with available subject matters as the Industrial Revolution, the Napoleonic Wars, the creation of organized police forces, the dawn of forensic science, and the rise and fall of Romanticism?
Maybe the real subject of every interview is how you really can't learn much of anything about anyone from an interview.
I've been on this kick reading about the beginning of forensic science: autopsies, fingerprinting, psychological profiling. I've been reading a lot of books about forensic anthropology.
I don't really think it matters if you go into stage or TV as long as you do a bit of character work, really.
Ultimately, bridging the practice of forensic science and the public's need for story may be difficult. We crave narrative, order from chaos, a mystery solved, good guys winning out over the bad ones. But science, and forensic science, should be more neutral and, thus, more nuanced.
I wanted to be a forensic scientist when I was younger. For a long time, I was studying because I wanted to do that sort of stuff.
My father said it himself in an interview many years ago: 'Husband and wife failed, but mother and father didn't.' I've got a life that really matters to me, and that's because of the way I was raised. My ethics are high because my parents did a great job.
Couldn't we end this interview with what I really want to say? That what the world really needs is a real feeling of kinship -- everybody: stars, laborers, Negroes, Jews, Arabs. We are all brothers. If we could end this article saying just that, we'd get down to what we should all be talking about. Please don't make me a joke. End the interview with what I believe.
If you're coming to do an interview with me, you should know about me. It's not that it's 'cos I'm Wizkid; I'd even hate it if you were coming to interview my friend and asked him the same question. You're here for an interview, so you should know who you're doing the interview with.
Julia Roberts was really rather lovely. I had to interview her on Pebble Mill At One years ago. You learn not to be starstruck if you're trying to get a decent interview out of someone. If you fall apart it's counter productive.
With the long-format interview, I can get into really interesting conversations with my guests. You know what it's like to get the opportunity to speak to really interesting people and pick their brain about things. To have time to let a guest actually speak and tell a story and get into detail is really exciting.
If the interview was done in the studio, Frank McGee would automatically do it. But if I went out and got it, then the interview was mine. So I was considered a pushy cookie, because I would get the interview.
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