A Quote by Jonathan Evison

Most everything that happens to me in any significant sense finds its way into my fiction. — © Jonathan Evison
Most everything that happens to me in any significant sense finds its way into my fiction.
Significant and seemingly impossible social and political change happens more often than we think, and it happens more rapidly than we realize. Even the most momentous change is always possible if one finds the right way to make it happen.
I deal with everything in my life in music - everything that ever happens to me just finds its way into a song or onto a record. I need it. It's like my life jacket. If I didn't have that way of processing those feelings, I'd probably be a murderer.
The unphilosophical and philosophical attitudes can be very sharply distinguished (with scarcely any intermediate forms) by the fact that the first accepts everything that happens as regards its general form, and finds occasion for surprise only in that special content by which something that happens here today differs from what happened there yesterday; whereas for the second, it is precisely the common features of all experience, such as characterise everything we encounter, which are the primary and most profound occasion for astonishment.
I think what happens is you write how you grew up. And I was born on the prairie, and so everything is kind of spare on the prairie. And so I'm just used to writing in that way. 'Sarah, Plain and Tall' was that way. And most of my fiction is. I like writing small pieces. Somehow it just suits me.
Everything I've taken away from my father has been significant. So, I can't say that any one lesson is the most significant. By being around him, I learned that there is a purpose in life, and that if we are inspired to help people, we should do it.
I use everything. Turning life into stories is how I make sense of my experience. No matter how weird or disturbing or upsetting to me personally, it all finds its way in there.
"Hard" science fiction probes alternative possible futures by means of reasoned extrapolations in much the same way that good historical fiction reconstructs the probable past. Even far-out fantasy can present a significant test of human values exposed to a new environment. Deriving its most cogent ideas from the tension between permanence and change, science fiction combines the diversions of novelty with its pertinent kind of realism.
Everything happens for a reason, everything is part of a puzzle that, even at the time, if we don't understand the bigger picture, everything has significant role in what's to come in the future.
I was a very determined kid. I couldn't imagine any other life for myself. This happens to kids who are different in any way. How am I going to make a life? Who am I going to be when I grow up? Will there be a place for me in the world? Acting gave me a sense of purpose, but it also gave me a sense that I would survive, that I would find my place.
Memory is like fiction; or else it's fiction that's like memory. This really came home to me once I started writing fiction, that memory seemd a kind of fiction, or vice versa. Either way, no matter how hard you try to put everything neatly into shape, the context wanders this way and that, until finally the context isn't even there anymore... Warm with life, hopeless unstable.
I think that's as far as you have to think, everything happens as a coincidence. It either happens or it doesn't. It's hard to map out a strategic plan by saying, 'If I do that, that's going to get me to the next level.' I think that's the wrong way to go into movies as an actor. It doesn't happen for me that way.
What do drawings mean to me? I really don't know. The activity absorbs me. I forget everything else in a way that I don't think happens with any other activity.
I'm not a Mexican writer, but I think everything that happens in Mexico affects the Mexican writers I know, in their sense of being human and of being Mexican, even if they don't in any explicit way address these issues in their writing.
When people in organizations feel too secure, it's because there aren't any significant outcomes as a result of what they do. Whatever you do, nothing much different happens. This also means there are no important pay-offs if you risk by innovating. As there are no rewards for taking risks, then there's no sense of push in that institution's culture.
I want the reader to feel something is astonishing. Not the 'what happens,' but the way everything happens. These long short story fictions do that best, for me.
I want the reader to feel something is astonishing - not the 'what happens' but the way everything happens. These long short story fictions do that best, for me.
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