A Quote by Jonathan Galassi

I've always loved the poetry in 'Pale Fire.' I think it's wonderful. — © Jonathan Galassi
I've always loved the poetry in 'Pale Fire.' I think it's wonderful.
I don't think I ever had a morning where I woke up and said I'm going to be a professional poet. I know I've always loved poetry, I've always loved writing poetry and I've always loved sharing poetry. I've also always known that I wanted that to somehow be a very large part of my life and I'm very fortunate that it's such a large part of my life.
Looking back, fire images have been constant in my poetry. As a boy, it was my job to light the fire each morning, and I remember the celebratory bonfires at the end of the war. It was from staring into fire that I began my first poetry.
I love fire. As a child I loved setting light to things. I'd always be in the forest putting matches to pieces of wood. I've always regarded fire as my friend.
I think it's probably, musically, probably the most sophisticated. ("The Woman in White") There's a lot more daring harmony in it than in some of my pieces... If you know what you want to do, as I always loved musicals, and then to have been lucky enough to be successful with them, I think that's all you can ask, isn't it?... Sondheim is absolutely wonderful and Alan Jay Lerner was wonderful.
I have always loved American poetry, which is very different from Irish poetry.
Even if you have a lot of work to do, if you think of it as wonderful, and if you feel it as wonderful, it will transform into the energy of joy and fire, instead of becoming a burden.
I always loved singing and writing poetry. I always loved music, and I’ve loved writing my whole life. When I put them together it was probably in my early 20s, where I put words to music for the first time.
I always loved singing and writing poetry. I always loved music, and I've loved writing my whole life. When I put them together, it was probably in my early 20s where I put words to music for the first time.
I'd always loved poetry and I'd always loved writing music and composing music, but I hadn't thought of putting the two together until around that time.
My mother was a washerwoman - or a woman that cleaned houses in Texas... in Plano, Texas - who always loved poetry and always loved stories.
One of the wonderful things that I've always loved as an art student, what I always loved about comics, was that they are interpreted differently by different graphic artists all the time, so now film is doing that thanks to Marvel Studios.
There's a sameness about American poetry that I don't think represents the whole people. It represents a poetry of the moment, a poetry of evasion, and I have problems with this. I believe poetry has always been political, long before poets had to deal with the page and white space . . . it's natural.
There have always been great defenses of poetry, and I've tried to write mine, and I think all of my work and criticism is a defense of poetry to try and keep something alive in poetry.
When 'Pale Fire' came out, that album was a big friend of mine. I've just always purely been a fan of El Perro del Mar.
Fake tan is really difficult to get right. When I was younger, I'd always do it wrong. I'd leave it on and forget to wash it off. So I embrace being pale. I like getting a tan, but I also think that if you're going to do it, it has to be gradual. I just work the pale thing now.
That is why I think, in defiance of Plato, that there is at once error and vulgarity in saying that poetry is a lie, except in the sense that Cocteau wrote one day: I am a lie who always tells the truth. The only poetry which lies purely and simply is academic, pseudo-classical, conceptually repetitive poetry, and it is not poetry.
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