A Quote by Jonathan Galassi

I'll tell you - there's no author that wants to give his mother an e-book of his new book. I think he wants to present her with - or she - wants to present her with something beautiful that he or she created.
He wants her in his bedroom. And not in that way — no girl has ever been in his bedroom that way. It is his private space, his sanctuary. But he wants Clary there. He wants her to see him, the reality of him, not the image he shows the world. He wants to lie down on the bed with her and have her curl into him. He wants to hold her as she breathes softly through the night; to see her as no one else sees her: vulnerable and asleep. To see her and to be seen.
I like to eat a whole lot. I have an inner chubby girl, and her name is Mabel, and I feed Mabel a lot. I give her what she wants. If Mabel wants a honey bun, she gets it. If Mabel wants Krispy Kreme, she gets it. If Mabel wants fried chicken or ham hocks, she gets what she wants.
Beyonce knows exactly what she wants, what she needs in her projects, where she wants to go. She's creating her own lane. There's really no one out there who can compete with her. She's in her own world.
If you meet a girl who says: 'Darling, what do you mean? Of course I wear suspenders. I've worn them all my life. I think tights are for old people,' then know this: she's desperate to have kids, she wants you and her to live in the same house as her mum, she never wants to go out and she just wants to lie on your chest for the next 15 years.
This is new to us, you know? Your mother's sorry. She's sorry that she hurt your feelings, and she wants you to invite your girlfriend over for dinner." "So that she can make her feel bad and weird?" "Well she is kind of weird, isn't she?" Park didn't have the energy to be angry. He sighed and let his head fall back on the chair. His dad kept talking. "Isn't that why you like her?
She needs a new journal. The one she has is problematic. To get to the present, she needs to page through the past, and when she does, she remembers things, and her new journal entries become, for the most part, reactions to the days she regrets, wants to correct, rewrite.
If some woman tells me how she feels about something, my immediate assumption is that she wants an answer, or that she wants me to solve her problem. In fact, all she wants to do is share, or show how she feels.
There's always a slight tension when you sell a book to Hollywood, especially a nonfiction book. The author wants his story told intact; the nonfiction author wants it told accurately.
She was beautiful, but not like those girls in the magazines. She was beautiful, for the way she thought. She was beautiful, for the sparkle in her eyes when she talked about something she loved. She was beautiful, for her ability to make other people smile, even if she was sad. No, she wasn't beautiful for something as temporary as her looks. She was beautiful, deep down to her soul. She is beautiful.
When we get to A League Of Their Own, I have to be Geena Davis' little sister who wants to be like her and wants everything that she has and is jealous and upset and mad. Well, that was easy. I mean, she has an Academy Award. I think I can be upset about that. She's 99 feet tall and she's drop-dead gorgeous and she's all feminine and pretty. I had to pretend I couldn't run as fast as her. That was hard.
I can never be who I was. I can simply watch her with sympathy, understanding, and some measure of awe. There she goes, backpack on, headed for the subway or the airport. She did her best with her eyeliner. She learned a new word she wants to try out on you. She is ambling along. She is looking for it.
One minute she acts like she wants to be with me and I'm the one rejecting her. The next, she's got this barbed wire fence and barking dogs around her, like I can't even ask her the simplest questions." "And here I was assuming you didn't care about her." Stabbing his fingers through his hair, he groaned, "I don't!" "And you make it perfectly clear." Men. Idiots.
If you put a woman in prison for four years when she's young and make her pay her time in a horrible place and she wants to come out and work, and become a mother and be a contributor to society and pay taxes and you never give her that chance. There is something un-Canadian about that.
Rhianna don't want you to give her what you think that she wants. She needs you to give her something that's fresh. So you have to bend your voice and bend your personality and bend the music to make sure it sounds like it's new to everybody.
My little sister Aliana's opinions are the most important to me. She says, 'I want to look like you, you're so pretty!' But she is very beautiful and so she is trouble in the making! She wants to do what I do. I'm like her second mother and I am very protective of her.
In particular, for my character, Celeste [in Big Little Lies], there was a way in which we wanted to present her, because she has sort of barriers that she has to put up for protection because of things that are going on in her life. Yet she wants to be, I suppose, very presentable but neutral.
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