A Quote by Jonathan Galassi

A translation needs to read convincingly. There's no limit to what can go into it in terms of background research, feeling, or your own interests in form and history. But what should come out is something that reads as convincing English-language text.
I love being convincing. I love when a gesture is convincing and I love doing research for a picture. If you're telling a story you need a background. Just like a novelist needs background information to make a story interesting, I think an artist needs it for a picture too.
Translation rewrites a foreign text in terms that are intelligible and interesting to readers in the receiving culture. Doing so is akin to committing an act of ethnocentric violence by uprooting the text from the language and culture that gave it life. Translating into current, standard English at once conceals that violence and homogenizes foreign cultures.
Many people do not know that Jesus did not speak Latin or English or Hebrew; he spoke Aramaic. But nobody knows that language. So we're talking about the Bible itself being a translation of a translation of a translation. And, in reality, it has affected people's lives in history.
In translation studies we talk about domestication - translation styles that make something familiar - or estrangement - translation styles that make something radically different. I use a lot of both in my translation, and modernism does both. For instance, if you look at the way James Joyce presents Ulysses, is that domesticating a classic? Think of it as an experiment in relation to a well-known text in another language.
The discourse on the Text should itself be nothing other than text, research, textual activity, since the Text is that social space which leaves no language safe, outside, nor any subject of the enunciation in position as judge, master, analyst, confessor, decoder. The theory of the Text can coincide only with a practice of writing.
As we read a text in our own language, the text itself becomes a barrier.
How do you make your kids read more? It needs to be presented as a joy and a privilege to get to do it, and the kids should get to see you as a parent reading for your own pleasure. It's not something you send your kids off to do, 'Go into your room and read for 15 minutes or else.' It becomes a task then.
Evidently an A level in English is a sacred trust, like something out of "The Lord of the Rings". You must go forth with your A level and protect the English language with your bow of elfin gold.
All that I can say is people who represents Karnataka in the Rajya Sabha should speak our language and represent our interests. How can your neighbour safeguard your interests when he cannot even speak your language or understand your difficulties. So, it is better to have our own people.
I don't hate language. I have my own language, but I also enjoy the English language. Obviously, you don't read a lot of literature and not care about language.
The oldest cliché in the world is about "what's lost in translation," but you don't very often read much intelligent about what's gained by translation, and the answer is everything. Our language is a compendium of translation.
Any fifth language that you use should be equally used as just another bit of theater language, so that if you have a strong text, then the light should be as strongly part of that text as, for example, the sound it should be or whatever it is that you see.
You get another person who operates only in an African language and there are many persons who operate only in African languages; he or she is excluded from all the goodies that come with English. And even in terms of justice, law codes, the legal system. A person who does not know English in Africa is excluded from that system because he can only operate through acts of translation.
Al-Ghazali is the most important philosophical theologian of classical Islam, and Moderation in Belief is among his most important works. It sets out al-Ghazali's Ash?arite theology with unusual clarity and provides important background for such well-known works as his autobiographical Deliverance from Error and his attack on Avicenna in The Incoherence of the Philosophers. This first English-language translation, with notes that bring out the argumentation and background of the work, is thus very much to be welcomed.
Read a lot. But read as a writer, to see how other writers are doing it. And make your knowledge of literature in English as deep and broad as you can. In workshops, writers are often told to read what is being written now, but if that is all you read, you are limiting yourself. You need to get a good overall sense of English literary history, so you can write out of that knowledge.
The English book world is relatively closed to translation, so only a small amount of foreign language work can come in.
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