A Quote by Jonathan Groff
If someone pitches me a really great idea for an album, I would do it.
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[Photographer Julian Wasser] had this great idea that I should play chess naked with Marcel Duchamp and it seem to be such a great idea that it was just like the best idea I'd ever heard in my life. It was like a great idea. I mean, it was - Not only was it vengeance, it was art, and it was, like, a great idea. And even if it didn't get any vengeance, it would still turn out okay with me because, you know, I would be sort of immortalized.
The record was only released in the UK, and then when the idea for the remixed album came about, which was an idea that I've had for the longest time, I said this would be great song to remix as well, and so we did it.
We have heard projects with some of the writers, who we've been in business with for a long time at the studio, that we've heard as a studio - often, pitches that are still in their formation stage where we or the writers have wanted our input on developing them. We've probably heard more pitches with the network hat on. Certainly all of the outside pitches are that way, and many of the pitches that have been in great shape coming out of the studio we've heard from a network perspective.
I don't know if I have a 'Greatest Album Ever.' I really liked 'The Blueprint' by Jay-Z. The production on that album was really great. 'All I Need' was the first song I used for walk-on music in 2002 for my second time ever on stage, so that means a lot to me.
To me grinding out a good at-bat is pretty much fighting. And it's not trying to do too much with pitches, just finding a way to spoil a good pitcher's pitches, really.
The idea that I am cynical because I'm writing the books that I write is a bit like someone saying, 'What, you've done a second album? Oh, I see, cashing in on your first album, are you?' But I'm a musician! It's sort of what I do.
My biggest thing is I need to see a lot of pitches, which I did today. That's good. The more pitches you see, the better your timing is going to be. But it's going to be impossible to see enough pitches. No matter how many pitches you see, it's still going to be March 6.
But when you hear the complete album, it gets dark, really straight-up rock, with some really intimate moments with just me and the piano. It's not completely me because there are parts of me that aren't on that song, that are on the album.
When someone is buying a sample-based album, they are investing in the concept of that album. If they really like the original source material, they can go buy it.
All great pitches have a few things in common: the founder/team is wicked smart, the idea is big and a breakthrough, and the market is potentially enormous.
What people fail to realize is that any album we did, really, 90 percent of it reflected the songs people brought in. If someone had brought in two great rock songs for 'Cornerstone'... they would have been on that record.
Believe me, I would much rather get three outs on three pitches than three outs on nine pitches, because that's going to make me that much stronger at the end of the game. My pitching philosophy is simpe. I believe in getting the ball over the plate and not walking a lot of men.
Alan Menken took me to his studio and we went through his trunks of songs and put together an album of stuff that people and stuff that people don't know. I'm very proud with the way it came out. I had no idea what it would be like to do an album and that process was grueling and tedious but it was very rewarding. I would do it again if I had the chance.
Probably those three things affect the most people: reproductive freedom, freedom from violence, and democratic families. But there may well be someone sitting at this table who has a great idea to do something else that wouldn't come under those umbrellas and that would really be great, and make all kinds of change.
If your idea is truly innovative, you're going to hear from the naysayers. After all, if it really were such a good idea, someone would have already done it, right?
I've always been of the idea that is doesn't really matter where you are geographically - with 'Lonerism,' we made half the album in Australia, half the album in Paris.
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