A Quote by Jonathan Groff

The first job I got was a production of 'Fame - the Musical,' at the North Shore Music Theatre in Beverly, Massachusetts, and it got me my Equity card, too. I waited 12 hours to be seen for it, though!
I got my Equity card playing Helena in 'A Midsummer Night's Dream,' and I think that's the first job I got that was an offer.
I got my equity card, found my agent, and then I got a part on 'Gilmore Girls.' That turned into a job that kept giving - they wrote more for me.
I got my Equity card at 24 at the Guthrie Theatre in Minneapolis, and they asked me to join the company. I was content and happy working in the company there for a long while until I really started to feel as if I hit a bit of a glass ceiling artistically.
Mike Nichols got me my Equity card.
It used to just be a SAG card, and then you got an AFTRA card. I got my AFTRA card doing a commercial in Atlanta. I got my SAG card doing a beer commercial from 100 years ago; it was one of the first national commercials with a family in it that was black and normal, and I played the daughter.
I did a lot of musicals when I was young and finally went to drama school to try and get away from doing musicals... and of course the first thing that happened when I got out is I got offered a musical. And then when I got to the Royal Shakespeare Company, which was my next job, I ended up doing a bloody musical!
My first job when I got my equity card was acting in 14 plays back-to-back. Playing that many roles, you look for ways of differentiating the characters physically, which goes hand in hand with understanding them psychologically.
David Hayman gave me my Equity card and my first job out of drama school - the first person I really looked up to professionally.
Like every poor person, I used to dream about winning the lottery. I didn't just get money, though. I got fame. And I got fame before I got money, and it was scary.
When I was 12, I got a manager, but my mom was against it. It took a lot of convincing. But when I got a job at Manhattan Theatre Club, I think she saw how passionate I was about it and that I worked really hard - and now she's super supportive.
All my roots are Broadway. I got my Equity Card doing a Broadway show, and my first love is theater.
I can tell that fame is probably the most unadorable thing about acting. High School Musical is what got me here today and I'm very grateful - but the fame part isn't so fun.
I think the genre of musical theatre, when it started, the pop songwriters of the time were writing the music. I think sometimes when we write musicals now, we keep writing in that same style, as though that's the musical theatre genre... We have to figure out how to tell stories with the music that we listen to now, or we'll lose our audience.
I should write a musical. That is probably one of the final areas that I should pay attention to, because it does kind of involve everything. It's got theatre, it's got young, pretty people... And it's got money!
I got my Equity card and agent before I ever went to drama school.
When I got my tour card I cried. When I got my first win - and my first pay check - I cried. All these things make me cry.
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