A Quote by Jonathan Groff
Whenever you get into a new environment, it's scary. You don't know the people; you're not really comfortable with the machine that the show is.
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I've never gotten over what they call stagefright. I go through it every show. I'm pretty concerned, I'm pretty much thinking about the show. I never get completely comfortable with it, and I don't let the people around me get comfortable with it, in that I remind them that it's a new crowd out there, it's a new audience, and they haven't seen us before. So it's got to be like the first time we go on.
Each week the machine is spitting out a number for a new person or a new world within New York that you get to know. And the idea from the beginning was that some of the characters would stick around and become part of the lives of the show, and the world of the show itself will continue to grow.
As musicians and artists, it's important we have an environment - and I guess when I say environment, I really mean the industry, that really nurtures these gifts. Oftentimes, the machine can overlook the need to take care of the people who produce the sounds that have a lot to do with the health and well-being of society.
In the case of the Web, each of us has slightly more access to a mass audience - a few more people slide through the door - but Facebook is finally a crude, personal multimedia conglomerate machine, personal nation-state machine, reality-show machine. New gadgets alter social patterns, new media eclipse old ones, but the pyramid never goes away.
I liked that you have to sometimes get into a situation that might not be a comfortable one - so, overcome your fear and good things will happen - if you want someone to know something, or you have to really take charge and do it yourself and go for it. With the Boxtrolls, they want people to know they're not mean guys, but they're too scared to show anyone. They have to eventually work up the courage to show that and gain the confidence.
A college football star, by his senior year, is used to running out there with 110,000 people going nuts. They feel comfortable in that environment. To me, a set feels like that. The one thing that I do know is that, as long as I'm prepared, I know this environment and this world.
You need to know everything and feel 100 percent safe so that you can live and breathe in a role and so that you feel comfortable taking risks and trying new things and being bold. If you don't feel comfortable, if you're in a scenario that's not conducive for that kind of environment, then that's when you don't do well.
Long ago, I did a five-and-a-half-hour-a-day, six-day-a-week talk show for four years, early on, in Los Angeles - local show. And when you are on that many hours with no script, you know, you get very comfortable, maybe overly comfortable with that small audience.
I might get scared of a really big dog, but I don't scare easy. As a youngster I used to watch all the scary stuff by myself, so nothing really gets to me now. There's actually a new series on TV called Hellevator and I filled out an application to be on the show because I love that type of stuff.
You have to learn how to be in scary areas, make those comfortable, then go to the next scary area and make it comfortable.
In TV, when you're doing guest roles, you're gliding into a zone where people are already very comfortable. They go in and go to work every day. You're coming in, and it's a brand-new environment, so you have to get it... and then you're gone again.
That's something you can't get off the wires in New York is people providing intelligent coverage of what your theater company in Podunk is up to. Many of the people who write what we call amateur criticism are professionals in anything other than name and receiving a paycheck. Very often, they know more than the professional critic who might be writing for their local newspaper. So, really, I'm all for it. It's changing the playing field, it's shaking things up, it's going to make the critical environment a healthier environment.
There is something I call social intelligence. You can do a lot in life on your own and you can do all kinds of stuff, but if you're really bad with people, if you're really naive or aggressive and push people away, if you don't know the political environment you're in, it invalidates all the things you know. You're not going to get anywhere.
I don't love playing new songs in a festival environment. Because when it comes to a festival a lot of people probably won't know your band really well at all so playing more familiar songs is a little more conducive in having a better show.
It's really scary, when you're on the verge of becoming a teenager, and you don't know if people like you for you or if they like you for the show you're on. So I started finding friends who were not that way, who are accepting and see you who you are.
Monsters can be scary, and they're great, but they're only really scary when they're reflections of us and they show you the things you're scared of might be true about your own nature.
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