A Quote by Jonathan Groff

I can't think of a better bonding experience than to be able to sit on stage and to watch your fellow performers perform on stage every night. — © Jonathan Groff
I can't think of a better bonding experience than to be able to sit on stage and to watch your fellow performers perform on stage every night.
My mentor, [Ingmar] Bergman, when we worked on stage, he said you can't convince a thousand people at the big stage where we were working. You can't convince everybody, but just pick one every night that you perform for and make sure that he or she will have an experience that alters their life in a more positive way. So, just one every night. That's worth all the struggle and screaming.
I think my one of my strengths in standup is my ability to adlib. I do all my best writing on stage. I can sit down and write jokes, but I'd rather go on stage with a premise or an idea and let the jokes come that way. My creative juices are never flowing any better than when I'm onstage.
When you're on-stage, you're expected to perform in the bar business. You shake hands. You smile. You're all positive energy: you add to your environment. When you walk in the door to the back of the house, that's like a stage door. You're off-stage now.
We love not just Judas Priest music, but we love heavy metal and we love to get out on that stage every night and perform. It's a joy to be able to do it.
The "stage" on which you perform in film and TV is much smaller. Moving your eyes across the frame is equivalent to crossing from stage right to stage left in a big Broadway house. Coming from a theatrical background and temperament, this is something I am still learning. However, I think ultimately your responsibilities to the character and the overall story are the same in both mediums, so my approach felt very similar.
I've learned how to be a better performer on stage and interact with the fans, make it feel like a collective experience more than just me singing songs on a stage and feeling really detached.
I have the luxury of having the choice to perform and go up on stage every night.
Real success is not on the stage, but off the stage as a human being, and how you get along with your fellow man.
My dream was always to hop up on stage in front of my fans every night and perform.
And when I perform on my own tour, I have to talk myself into going out on that stage every single night.
I can't understand artists that don't want to perform and, like, get on stage and do their songs for all their fans every night.
One think that you notice about anyone that gets up on stage is that they don't really have a lot of self-awareness. It's kind of a trait that performers don't have because you just kinda just have to let go and do whatever you want to do on stage.
If you can stand on stage and perform a record, you should be able to stand on stage and captivate the audience without the rhyme. You should be a master of ceremonies.
When you go through a tunnel - you're going on a train - you go through a tunnel, the tunnel is dark, but you're still going forward. Just remember that. But if you're not going to get up on stage for one night because you're discouraged or something, then the train is going to stop. Everytime you get up on stage, if it's a long tunnel, it's going to take a lot of times of going on stage before things get bright again. You keep going on stage, you go forward. EVERY night you go on stage.
I started off on stage because it was the only work I could get. I haven't been back for 11 years. I think any stage experience is good experience, as far as being an actor is concerned.
I survived on sandwiches, and I was on stage every night for six years of my life. I was working 16 hours a day between class, rehearsal, being on stage.
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