A Quote by Jonathan Groff

With every character, the first thing I want to feel is empathy. — © Jonathan Groff
With every character, the first thing I want to feel is empathy.
Plays can create empathy. If you put a Muslim character on stage, and make him a full character, you're making it possible for the audience to feel empathy, and a little empathy on both sides would help.
Something as important and central and encompassing as empathy can't be all bad. I think empathy plays a role in intimate relationships, where you might want your partner not just to care about you or understand you but to feel what you feel.
The first thing I do with any script is read it and try to visualize if I can play the character - if I can feel what the character's feeling.
Not every character that you play is going to be somebody that you like or love, but every character that you play has a story that is worth telling. If you're not the person to tell it, that's one thing. But if you don't want to tell it because you are afraid of the unpopularity of the character, I view that as a missed opportunity.
In every movie, there's always some physical thing that triggers the character for me. In 'The Long Walk Home,' it was the girdle. Every time I'd put that girdle on, I'd feel my character wiggle to life.
The sad thing is that I feel so boring because 'Twilight' is literally how every conversation I have these days begins - whether it's someone I'm meeting for the first time or someone I just haven't seen in a while. The first thing I want to say to them is, 'It's insane! And, as a person, I can't do anything!'
I've wanted you from the moment I first saw you in the museum. Before that. I wanted every part of you from the first time I felt you, your presence. I want you in the sky, and against the earth. I want to kiss you again, I want to touch you, I want to feel you in my arms and I want to hear you gasping my name when I'm inside you. I want all that, and I want it badly. Every time I look at you, I want it. So you're going to have to become used to that, Rue. It won't change." (Christoff to Rue)
Since I am first of all a character writer, that character's emotions are as vivid to me as my own. I always begin with an emotion after I have established a character in my mind. I feel what they feel. I guess that is why it comes across so strongly.
The first thing that happens is the cleansing of the former character. I don't think a lot of actors talk about it, but there is usually a process where you essentially purge yourself of the character played prior to the movie. Then you want to think about what the character represents, and you write down all of the elements about this character and then take the time to find some synchronicity and start breathing the character.
The problem is we are left only with empathy - which is critical, if it can be developed - without substantive manifestations of that empathy. It's one thing to attain it intellectually, but it's another thing to do something about it.
I'd rather feel empathy for a character that's fictional, so it doesn't quite tie into personal experience as much.
Every time I feel that I really hit critical mass and I'm in the right place is when I feel like the director and I become a third thing, and that's the character.
Empathy occurs when we suspend our single-minded focus of attention and instead adopt a double-minded foucus of attention. When our attention lapses into single focus, empathy has been turned off. When we shift our attention to dual focus empathy has been turned on. Empathy is our ability to identify what someone else is thinking or feeling and to respond to there thought or feelings with an approriate emotion. Empathy makes the other person feel valued, enabling them to feel that their thoughts and feelings have been heard.
Every character thinks differently, and every character has a different energy and way that they tick. But to find a character like Kai, who is so far that he doesn't even feel things, he is so different from me. That is the most exciting part.
Any man filled with empathy is capable of gaining valuable insights on the human condition through the suffering of others. You do not need to suffer to know suffering, but you need empathy first to identify and feel the suffering of others around you.
You definitely put a bit of yourself in every character, and you always have to have an understanding and empathy for the person that you play.
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