A Quote by Jonathan Haidt
Human thinking depends on metaphor. We understand new and complex things in relation to the things we already know... once you pick a metaphor it will guide your thinking.
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Dogs understand your moods and your thoughts, and if you are thinking unpleasant things about your dog, he will pick it up and be downhearted.
If you understand something in only one way, then you don't really understand it at all. The secret of what anything means to us depends on how we've connected it to all other things we know. Well-connected representations let you turn ideas around in your mind, to envision things from many perspectives until you find one that works for you. And that's what we mean by thinking!
The facts of nature are what they are, but we can only view them through the spectacles of our mind. Our mind works largely by metaphor and comparison, not always (or often) by relentless logic. When we are caught in conceptual traps, the best exit is often a change in metaphor not because the new guideline will be truer to nature (for neither the old nor the new metaphor lies "out there" in the woods), but because we need a shift to more fruitful perspectives, and metaphor is often the best agent of conceptual transition.
The 'wall of separation between church and state' is a metaphor based on bad history, a metaphor which has proved useless as a guide to judging. It should be frankly and explicitly abandoned.
They create these rules and argue about things we don't even understand. It is like watching soccer. You sit there and you're sort of amused, but most of the time you're thinking, pick up the ball! That's what you're thinking.
This is what metaphor is. It is not saying that an ant is an elephant. Perhaps; both are alive. No. Metaphor is saying the ant is an elephant. Now, logically speaking, I know there is a difference. If you put elephants and ants before me, I believe that every time I will correctly identify the elephant and the ant. So metaphor must come from a very different place than that of the logical, intelligent mind. It comes from a place that is very courageous, willing to step out of our preconceived ways of seeing things and open so large that it can see the oneness in an ant and in an elephant.
My poems always begin with a metaphor, but my way into the metaphor may be a word, an image, even a sound. And I rarely know the nature of the metaphor when I begin to write, but there is an attentiveness that a writer develops, a sudden alertness that is much like the feel of a fish brushing against a hook.
A myth... is a metaphor for a mystery beyond human comprehension. It is a comparison that helps us understand, by analogy, some aspect of our mysterious selves. A myth, in this way of thinking, is not an untruth but a way of reaching a profound truth.
Look who's calling the cauldron black." "Kettle. It’s a kettle. Get your metaphors right." "That wasn’t a metaphor. It was a, you know..." He stared off into space, blinking. "One of those things that’s symbolic of another thing. But isn’t the same thing. Just like it." "You mean a metaphor?" "No! It’s like a story...like...a proverb! That’s it." "I’m pretty sure that wasn’t a proverb. Maybe it was an analogy." "I don’t think so.
Creativity is more about taking the facts, fictions, and feelings we store away and finding new ways to connect them. What we're talking about here is metaphor. Metaphor is the lifeblood of all art, if it is not art itself. Metaphor is our vocabulary for connecting what we are experiencing now with what we have experienced before. It's not only how we express what we remember , it's how we interpret it - for ourselves and others.
The vampire is an outsider. He's the perfect metaphor for those things. He's someone who looks human and sounds human, but is not human, so he's always on the margins.
God's will is clear about many things. We're to be holy. I like the metaphor that his Word is a lamp to our feet. A lamp may help guide my next one or two steps, but it's not a crystal ball into the future.
We call things we don't understand complex, but that means we haven't found a good way of thinking about them.
Fishing is quite a good metaphor for life. You do your prep, you do your thinking, you put your bait out, and you wait, confident that you've done your groundwork. But a lot of life is luck.
Comic strips introduced me to metaphors. They are pure metaphor, so you learn how to tell a story with symbols, which is a very valuable thing to learn. And I learned that from motion pictures, too, and from poetry. Poetry is mainly metaphor. If it doesn't have a metaphor, it doesn't work.
'District 9' was a singular anti-Apartheid metaphor, and 'Elysium' is a more general metaphor about immigration and how the First World and Third World meet. But the thing that I like the most about the metaphor is that it can be scaled to suit almost any scenario.
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