A Quote by Jonathan Ive
I always like when you start to use something with a little less reverence. You start to use it a little carelessly, and with a little less thought, because then, I think, you're using it very naturally.
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A little more kindness, A little less speed, A little more giving, A little less greed, A little more smile, A little less frown, A little less kicking, A man while he's down, A little more "We", A little less "I", A little more laugh, A little less cry, A little more flowers, On the pathway of life, And fewer on graves, At the end of the strife.
The last collaborator is your audience ... when the audience comes in, it changes the temperature of what you've written. Things that seem to work well -- work in a sense of carry the story forward and be integral to the piece -- suddenly become a little less relevant or a little less functional or a little overlong or a little overweight or a little whatever. And so you start reshaping from an audience.
When you start, it's very cold, an impossible task. But then maybe the characters start to take on a little bit of life, or the story takes a turn that you don't expect ... With me that happens a lot because I don't outline, I just have a vague notion. So it's always felt like less of a made thing and more of a found thing. That's exciting. That's a thrill.
Little moments of excitement shape the sound of a record. You don't have anything, and then you start to have little parts that give you the energy to move forward because you start to see something.
Where we start to lose it is when we start to grasp onto what we think is ours. No, this is mine. No, that's my career. That's my money. That's my platform. But really, no, it's yours, God. It's not mine. You might lend it to me for a little while. You might let me hold onto it. You might let me use it for a little bit, but that's not mine; it's yours. Thank you for letting me use that for a little while. I think that's what staying grounded means.
When you start getting a little more confident in the playbook, you can think a little bit less and just play.
Folks like me have to feel a little indebted to the communities that they came from. And if they do, I think we'll start to see a little bit more of a geographic integration in the country because people will start to think, 'You know what? I owe that place something, and I should return to it in one form or another.'
I'd like to do something a little different. Something a little less intense. I'm not sure what it's going to be yet. For the first time in my life, it's great to have choices, but I think I have to be very careful in choosing the right next project.
What do you mean less than nothing? I don't think there is any such thing as less than nothing. Nothing is absolutely the limit of nothingness. It's the lowest you can go. It's the end of the line. How can something be less than nothing? If there were something that was less than nothing, then nothing would not be nothing, it would be something - even though it's just a very little bit of something. But if nothing is nothing, then nothing has nothing that is less than it is.
In my stand-up, I've always been loose. If there's a curtain onstage, I'll use that in my act. If there's a door, I'll use the door. I always like to use everything at my disposal, which makes each show a little different and a little more fun.
If you want to spend more money in restaurants, use credit cards more than cash. If you want to spend less, use cash more than credit cards. But in general, we can think about how to use the pain of paying and how much of it do we want. And I think we have like a range. Credit cards have very little pain of paying, debit cards have a little bit more because you feel like today, at least it is coming out of your checking account, and cash has much more.
You don't have to be very brilliant. You don't have to have such a wonderful education. You can be an outstanding success if you will only take what little you have, whether it's little or much, and start using it, putting it into operation, doing something about it, and doing something with it. And, of course, that calls for initiative.
I think if you were known for playing something other than being a nice guy then people might be a little less likely to take liberties with you. If you are Ray Winstone, and people have seen you kick a few people to death, then they are a little less likely to approach you or whatever.
There's something grueling but very appealing about rough, to-the-bone material in a low budget context. There's less between you and the material. There are less people. There is less time. There's often less technology. You have to concentrate very intensely, and you jump in a little deeper because there's nothing in your way... but there are challenges.
It's hard for me to play seated theaters because people tend to sit down and get a little bit complacent, so it's less energy. It's just very dry and dead. People start to feel like they're watching a movie. The environment when they walk into it, it's not standing room only, smoking and drinking and rock 'n' roll. So it's a little bit dangerous to do that.
I don't use iMovie and don't use shitty little cameras to try to prove something or say something because that's a part of the process. We do it just because that's what we like to use.
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