A Quote by Jonathan Ive
So much of my background is about making: physically doing it myself.
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A lot of people think that my work is about mocking or making fun of things, but a lot of it is about discomfort and making myself as uncomfortable as the men feel, or putting myself in a situation where I'm revealing my loneliness as much as they're revealing theirs.
I work very physically. I don't like to intellectualize too much about what we're doing, or analyze it.
I want to challenge myself to see where my limit is and experiment with a lot of different films. A lot of artists from Asia focus too much on their Asian background. I don't want to let go of my background, but to be a success in the U.S., which is my goal, I realize I need to surround myself with American filmmakers and producers.
As much as I believe in the capacity for art to create change, and as much as being an artist is physically and emotionally challenging, there is ultimately something a bit comfortable about making art in the comfort of your own home.
I think we did our first session in 1958. There were no black background singers - there were only white singers. They weren't even called background singers; they were just called singers. I don't know who gave us the name 'background singers,' but I think that came about when The Blossoms started doing background.
The person on the shrine is myself. I listen to my own music constantly. I made a whole other record already. I look at myself on the internet constantly, so much so that I actually physically hate my face. It's like I've become apart from myself. I can't even live up to myself.
I'm expressing myself by acting. I'm learning about myself and making a living. I hope to do much more of it, so I can contribute my share to the world.
I studied English in college and approached filmmaking from a writing background while trying to learn as much as I could about the technical side of things by making shorts and a webseries.
At the time, I was making good money doing background work and demos.
It's always great when a director is just supportive of what you're doing. They're not so much critiquing you but giving you more ideas, giving you tons of things to work with, making you question your character and making you think about it... and making it seem like everything is limitless. That usually helps a lot.
I come from an art-school background, and I still feel that in my music, it's about exploration and challenging myself, about putting myself in a place that's frightening because I haven't been there before.
I never think I'm making fun of my culture. In fact I'm making fun of myself, because I catch myself doing some very stupid things.
I'm from a rural town outside of Stockholm, so in coming to L.A., I've been able to not think that much about my background. It's much easier for me in this big town, this big bubble to isolate myself from that and be a little more self-confident. I'm here to do my take on soul.
For me, my criteria for making films is all about trying to do something different from the last time. So if I catch myself doing too much of one thing, I'm always trying to move away from that, because it's not going to be challenging enough to keep my attention and focus.
Its always great when a director is just supportive of what youre doing. Theyre not so much critiquing you but giving you more ideas, giving you tons of things to work with, making you question your character and making you think about it... and making it seem like everything is limitless. That usually helps a lot.
If I'm going to be the best in what I do, I have to study what I'm doing, I have to see what I'm doing. I have to see it, I have to hear it. I'm just starting to appreciate myself - not starting, but appreciating myself in a way where I can look at myself back in a movie or listen to myself as much as I do now.
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