A Quote by Jonathan Knight
I was always doodling house sketches.
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I wish I still had all of my old schoolwork. I'd just have all the sketches around the schoolwork, and none of the schoolwork done. Just sketches all around. I was always doodling something.
I have been doodling with ink and watercolor on paper all my life. It's my way of stirring up my imagination to see what I find hidden in my head. I call the results dream pictures, fantasy sketches, and even brain-sharpenin g exercises.
My mom worked at [American] Vogue before I was born. She has always been fashion-minded. I grew up with original Yves Saint Laurent sketches on the wall in our house. A lot of that rubbed off on me.
I recently discovered that Karl Lagerfeld sketches every single design in the Chanel collections. This made me so happy. I know it seems obvious, that the head of a fashion house such as Chanel would do this, but it isn't always the way.
I am always making sketches of how information should look or mapping out a marketing campaign. When I present my notes, people start responding to them. Desktop publishing makes everything look slick. When you present sketches, it helps start the dialogue and collaboration.
I carry a notebook full of sketches of pictures I want to take - they are really scruffy sketches, but at least I am going out there with a clear objective.
Seven days a week, I'm always drawing, doodling, or painting, whether I'm in the studio or on a plane.
I'll never forget that little apple box I stood on because I couldn't reach the microphone. My name was written on it and it's sitting at Diana Ross's house now. She has all my little doodling papers I would draw and write.
A dark house is always an unhealthy house, always an ill-aired house, always a dirty house. Want of light stops growth and promotes scrofula, rickets, etc., among the children. People lose their health in a dark house, and if they get ill, they cannot get well again in it.
Doodling serves as a means of keeping the hand or fingers limber, so that they are always ready for serious work.
I don't work from drawings. I don't make sketches and drawings and color sketches into a final painting.
People get this very romantic vision of a fashion designer who in one night makes 25 sketches and in the morning throws them on the table and there are a lot of women in white aprons with the pins on the lapel and they start to grab the sketches and... It's not like that.
My biggest fear is expending the best and most exciting energy in sketches, no matter how quickly executed. I often need to empty the rubbish bin several times before regaining the fresh quality of the initial exploratory sketches.
TREE HOUSE A tree house, a free house, A secret you and me house, A high up in the leafy branches Cozy as can be house. A street house, a neat house, Be sure to wipe your feet house Is not my kind of house at all- Let's go live in a tree house.
At any comic book convention in America, you'll find aspiring cartoonists with dozens of complex plot ideas and armloads of character sketches. Only a small percentage ever move from those ideas and sketches to a finished book.
I started writing sketches when I was 13. I liked Vic Reeves, Fry and Laurie, and Paul Merton, and I thought you could just send sketches to the BBC, and they'd go, 'Great. We'll put these on telly.' But I gradually realised that you either had to go to university and join a club, or do standup.
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