A Quote by Jonathan Kozol
We continue, however, to write about important people, prize-winning people, blacks of grandeur, women of great fire, fame or wit. We do not write about ordinary people.
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For writers, you just have to have the ability to not restrict your imagination. Men can write about women; women can write about men. Straight people can write about gay people; gay people can write about straight people.
I think people assume that women write about the domestic sphere. Women write about relationships and family. Men do, too, but then it's the Great American Novel.
I could never write about the sort of people John Cheever or John Updike or even Margaret Atwood write about. I don't mean I couldn't write as well as they do, which of course I couldn't; they're great writers, and I'm no writer at all. But I couldn't even write badly about normal, neurotic people. I don't know that world from the inside. That's just not my orientation.
Some people say, 'Well you're a man; how do you write about women or girls when you don't know about them?' Well, I've got my imagination, and I can write about women. Yes, I'll never be pregnant and give birth to children, but I can imagine a bit of what it's like. When you create characters, it's just about making them really real to people.
I don't write about good and evil with this enormous dichotomy. I write about people. I write about people doing the kinds of things that people do.
I just love to play rock and roll. I love to write songs all the time
about what's up on these streets. I write songs about people getting killed; I write songs about people getting beaten up; I write songsabout people getting taken to jail by the police; and I also write songs about love and happiness.
I've talked with friends about this: when you write about yourself, that's what people connect to. When you write a sermon or a lesson, that may not reach people. I've learned a lot from people who have been writing about themselves.
Well, when you write about people of a certain age ... we are in a postsexual situation. If I write about younger people then I write sexually, because their drive is sexual. It depends upon the circumstances.
There are a lot of great love stories. It's just the best thing. Why wouldn't you write about it? Why wouldn't you want to read about it? But it's hard to write about. It's weird to have such a powerful and universal feeling and hope that you can write that and make it real for people.
People write about getting sick, they write about tummy trouble, they write about having to wait for a bus. They write about waiting. They write three pages about how long it took them to get a visa. I'm not interested in the boring parts. Everyone has tummy trouble. Everyone waits in line. I don't want to hear about it.
I write about presidents. That means I write about guys - so far. I'm interested in the people closest to them, the people they love and the people they've lost... I don't want to limit it to what they did in the office, but what happens at home and in their interactions with other people.
If I write badly about blacks, homosexuals and women, it is because of these who I met were that. There are many 'bads' - bad dogs, bad censorship; there are even 'bad' white males. Only, when you write about 'bad' white males, they don't complain about it. And need I say that there are 'good' blacks, 'good' homosexuals and 'good' women?
People often tell me, "You write such great women." I don't think about it, I just write characters as rigorously and as truthfully as I can and hope, no matter their gender, that their humanity comes through.
I write about people in small towns; I don't write about people living in big cities. My kind of storytelling depends upon people that have time to talk to each other.
I usually write about ordinary people and ordinary things, but Paul Farmer is the least ordinary person I've ever met... He's the leader of a small group of people who hope to cure a sick world, and I hope my book can help in some small way.
I write titles that are confrontational. I write titles that make people want to pick up a book and find out more about it. I write good books; I write great titles though.
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