A Quote by Jonathan Kozol

The recklessness with which we sacrifice our sense of decency to maximize profit in the factory farming process sets a pattern for cruelty to our own kind. — © Jonathan Kozol
The recklessness with which we sacrifice our sense of decency to maximize profit in the factory farming process sets a pattern for cruelty to our own kind.
Why are vegans made fun of while the inhumane factory farming process regards animals and the natural world merely as commodities to be exploited for profit?
Until this moment, Senator, I think I never really gauged your cruelty or your recklessness....Let us not assassinate this lad further, senator. You have done enough. Have you no sense of decency?
An environmentalist can oppose factory farming because it's reckless stewardship. A conservative can oppose factory farming because it is destructive to small farmers and to the decent ethic of husbandry those farmers live by. A religious person can oppose factory farming because it is degrading to both man and animal - an offense to God.
I've been involved in animal issues for quite a while, going back 24 years. I started reading up on factory farming and slaughterhouses and animal cruelty, and it didn't make sense for me to be part of it.
I try to build on our management philosophy. I try to understand what the threats and opportunities are for us. Uh, I try to make sure that we're driving innovation and creative destruction hard enough so we're not blindsided, and that our attitude is to, in starting any initiative, any business, is to focus on how we can create value for others, rather than how we maximize profit, because you can make money focusing on, "How do I maximize profit?"
We are called to assist the Earth to heal her wounds and in the process heal our own - indeed, to embrace the whole creation in all its diversity, beauty and wonder. This will happen if we see the need to revive our sense of belonging to a larger family of life, with which we have shared our evolutionary process.
Art and science coincide insofar as both aim to improve the lives of men and women. The latter normally concerns itself with profit, the former with pleasure. In the coming age, art will fashion our entertainment out of new means of productivity in ways that will simultaneously enhance our profit and maximize our pleasure.
Many of us grow up thinking of mistakes as bad, viewing errors as evidence of fundamental incapacity. This negative thinking pattern can create a self-fulfilling prophecy, which undermines the learning process. To maximize our learning it is essential to ask: "How can we get the most from every mistake we make?"
The omnipresent process of sex, as it is woven into the whole texture of our man's or woman's body, is the pattern of all the process of our life.
Each year, billions of animals are subjected to cruelty on factory farms, feed lots, and slaughterhouses. The brutality that these animals endure would be grounds for felony cruelty charges if inflicted upon our cats and dogs.
Heroes are necessary in order to enable the citizens to find their own ideals, courage and wisdom in the society. The hero carries our hopes, our aspirations, our ideals, our beliefs. In the deepest sense the hero is created by us; he or she is born collectively as our own myth. This is what makes heroism so important: it reflects our own sense of identity and from this our own heroism is molded.
We, ignorant of ourselves, Beg often our own harms, which the wise powers Deny us for our good; so find we profit By losing of our prayers.
The Theatre of Cruelty has been created in order to restore to the theatre a passionate and convulsive conception of life, and it is in this sense of violent rigour and extreme condensation of scenic elements that the cruelty on which it is based must be understood. This cruelty, which will be bloody when necessary but not systematically so, can thus be identified with a kind of severe moral purity which is not afraid to pay life the price it must be paid.
While vegans and meat-eaters disagree, we can all be united in our fear and hatred for the horror that is factory farming.
I do believe in fate, Anne-not the blind fate that gives one no freedom of choice, but a fate that sets down a pattern for each of our lives and gives us choices, numerous choices, by which to find that pattern and be happy.
It is part of the formidableness of a genuine mass movement that the self-sacrifice it promotes includes also a sacrifice of some of the moral sense, which cramps and restrains our nature.
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